![]() |
Presents: |
| For detailed summaries of selected works, visit the SovLit.com main page |
| Sorted By Author Click Here to Sort By Year |
| Azhaev, Vasili |
Prologue to Life
(xxx, 19xx).
xxx
|
| Babel, Isaak E. |
Church at Novograd
(Kostel v Novograde, 1926).
Red Army soldiers search a Catholic Church in Poland. They find hidden
army uniforms and hoards of gold, banknotes, and jewels.
|
| Babel, Isaak E. |
Crossing the Zbruch
(Perekhod cherez Zbruch, 1926).
A Red Army soldier is billeted with a Jewish family. On the floor is
the corpse of an old man whose throat was slashed recently by the Poles
right in front of the man's distraught pregnant daughter.
|
| Babel, Isaak E. |
Death of Dolgushov
(Smert Dolgushova, 1924).
A disembowled Red Army soldier begs the narrator-intellectual to shoot
him, thereby ending his misery and keeping him out of the hands of the
Poles, who would probably torture him. The intellectual, concerned only
with keeping his own hands clean, refuses. ( Click here for complete text of story in English.)
|
| Babel, Isaak E. |
How It Was Done in Odessa
(Kak Eto Delalos v Odesse, 1923).
Gangster Benya Kirk becomes wealthy and gets the title of "King" through
senseless murder, making the innocent pay for the murder, and forcing
the community to pay the cost of extravagant funerals for his murder
victims.
|
| Babel, Isaak E. |
King
(Korol, 1923).
Thug, extortionist, murderer, gangster Benya Kirk portrayed lovingly as
he hosts an obscenely opulent wedding and simultaneously extends his
reign of terror and intimidation via arson.
|
| Babel, Isaak E. |
Letter
(Pismo, 1923).
Some brothers fight with the Reds against their father, who is with
Deniken's Whites. The father captures and kills one son. A second son
captures and kills the father.
|
| Babel, Isaak E. |
Lyubka the Cossack
(Liubka Kazak, 1924).
The head of a smuggling ring is off galavanting all day arranging deals
while her infant son lies at home, crying for his mother's milk. A
non-paying customer, temporarily imprisoned at Lyubka's inn, weans the
child to the bottle. For this, the customer is rewarded and given a
job.
|
| Babel, Isaak E. |
Salt
(Sol, 1923).
Soldiers take pity on a woman with a baby and let her ride on their
troop train. It turns out, however, that the baby is really a sack of
salt. The soldiers feel insulted and cheated. (Thinking that she was a
mother they didn't even try to violate her.) So they throw her off the
moving train
|
| Babel, Isaak E. |
Second Brigade Commader
(Kombrig Dva, 1920).
new brigade commander is appointed, receiving his third promotion in a
week. He has a successful day in battle and displays the masterful
indifference of a Tartar Khan.
|
| Babel, Isaak E. |
Sun of Italy
(Solntse Italii, 1926).
A Red Army soldier, wounded and unable to fight, is bored and dreams of
being sent to Italy, where, perhaps, he can assassinate the Italian king
|
| Baklanov, Grigori |
Cost of War
(xxx, 19xx).
xxx
|
| Bakunts, Aksel |
Kiores
(xxx, 1962?).
Biting satire aimed at a whole gallery of provincial Armenian philistines. (Armenian)
|
| Bednii, Boris |
Lovers' Seat
(xxx, 19xx).
xxx
|
| Bek, Aleksandr |
Life of Berzhkov
(Zhizn' Berezhkova, 1956).
Novel about the career and social development of an airplane engine
designer. In the beginning, he blithely makes weapons for the Tsar.
Over the ensuing years he learns various professional and personal
lessons so that by the end he is working for the good of all, not just
himself.9
|
| Bek, Aleksandr |
Lucky Hands
(xxx, 1962?).
Story revolving around the life of the eminent Russian surgeon Sergei
Petrovich Fyodorov, once the personal physican to Tsar Nikolai II who
then used his skill, knowledge and "lucky hands" in the service of the
young Soviet state.
|
| Bek, Aleksandr |
New Assignment
(Noviye naznacheniye, 1971, pub. 1986).
A high-level apparatchik tries to base his behavior and career on Stalin's model. The results are self-destructive
|
| Beliaev, Sergei |
Meat
(Myaso, 1936).
An "industrial novel" co-authored with Boris Pilnyak. It provides a
disconnected, anecdotal, imaginataive history of the meat industry from
the tsars to the present, including comparisons with American experience
and capitalism's role in meat production. Boring.5
|
| Beliayev, Aleksandr R. |
Flying Carpet
(Kover-Samolet, 19xx).
A wacky Soviet scientist named Professor Wagner is convinced that fleas
are superior to humans--at least in terms of leaping ability. He sets
out to right this injustice of nature and nearly ends up stranded in the
stratosphere. Science-fiction comedy. Click here for complete text of story in English)
|
| Beliayev, Aleksandr R. |
Hoity-Toity
(Hoity-Toity, 19xx).
A very sane--not at all mad--Soviet scientist transplants the brain of a man into the body of an elephant.
|
| Beliayev, Aleksandr R. |
Man Who Does Not Sleep
(Chelovek Kotorii Ne Spit, 19xx).
Wacky Soviet Professor Wagner invents a way to cure people of the need
to sleep. Evil German militarists-capitalists kidnap Wagner and steal
his formula. They distribute the formula throughout Germany, keeping
everyone awake. Increased worker productivity means they can fire half
the work force, creating massive unemployment. Wagner manages to
secretly alter the ingredients in his formula and put all of Germany
asleep, except for the homeless and unemployed, who could not afford the
anti-sleep pills. Wagner blasts his way out of his laboratory-jail,
and, with the help of some of the non-sleeping proletariat, manages to
make it back to the Soviet Union and freedom!
|
| Beliayev, Aleksandr R. |
The Struggle in Space
(Borba v Efire, 1928).
Rocket-airships, radio-controlled tanks, and Death Rays. Evil Americans
try to destroy the socialist paradise of the future, but the Soviets
counterattack and win. Remnant capitalists flee to an underground base
near Antartica, planning to escape into outer space. Socialism on one
planet! (Click here for detailed summary.)
|
| Belov, Vasili I. |
Everything Lies Ahead
(Vse vperedi, 1986).
A scientist-turned-bureaucrat steals another man's wife and children and
aspires to move to America. Set in soulless Moscow, it portrays
members of the intelligentsia as addicted to decadent Western culture,
given to sexual excesses, marital infidelities, rock music, abortions,
and scotch whiskey.1
|
| Belov, Vasili I. |
Eves
(Kanuny, 1972 - 1987).
Story of middle peasants during a time of relative stability in the 1920s prior to the collectivization campaigns.
|
| Belov, Vasili I. |
Ordinary Affair (aka That's How It Is)
(Privychnoye delo, 1966).
Study of an ordinary, industrious but poor peasant and his large family.
|
| Belov, Vasili I. |
Year of Great Change: A Chronicle of Nine Months
(God velikovo pereloma: khonika devyati mesyatsev, 1989).
Depiction of the harsh and inhuman measures taken during the forced
collectivization of the Vologda region. Deportation of Ukrainian
peasants to the frozen north also shown.1
|
| Berestov, Valentin |
Word of a Caterpillar
(xxx, 19xx).
xxx
|
| Bieliauskas, Alfonsas |
Romance of Kaunas
(Kauno romanas, 196x).
An official in the employment trust is sent to quash a dispute between a
female factory worker and her boss. His assignment is to vindicate the
boss, but he determines that justice is on the side of the worker, and,
for the first time in his life, he stands up to oppose the orders of
his superiors. (Lithuanian) (n)7
|
| Bitov, Andrei |
Country Place
(xxx, 196x).
A writer, caught up in a fallow period, spends a month of self-torment at a dacha with his wife and baby son.8
|
| Bitov, Andrei |
Doctor
(Doktor, 1978).
xxx
|
| Bubennov, Mikhail S. |
At Flood Time
(V polovod'e, 1940).
Collection of stories and sketches.
|
| Bubennov, Mikhail S. |
Eagles' Steppe
(Orlinaya step', 1959).
xxx.
|
| Bubennov, Mikhail S. |
Fire in the Taiga
(Ogon' v taige, 19xx).
Short story.
|
| Bubennov, Mikhail S. |
Immortality
(Bessmertiye, 1940).
In this tale, set in the Civil War, the Whites sail a "death barge" down
the Kama River. The barge's hold is full of prisoners--Bolsheviks and
ordinary peasants--who are hauled out one by one to be shot or hung.
The prisoners attempt a rebellion, partisans attempt a rescue, and
everyone nearly drowns in a storm. After capturing Kazan, the Reds
finally show up to liberate the barge. (Click here for detailed summary.)
|
| Bubennov, Mikhail S. |
Life and Word
(Zhizn' i slovo, 1978 - 1979).
Autobiographical tale.
|
| Bubennov, Mikhail S. |
River Rapids
(Stremnina, 1969).
Novel about the taming of the virgin lands. Honored in 1970 as one of the best works of literature about the working class.
|
| Bubennov, Mikhail S. |
Son of the Detachment
(Syn otryada, 19xx).
Short story.
|
| Bubennov, Mikhail S. |
White Birch, The
(Belaya Beryozka, 1947 - 1952).
Novel about the first stage of the Great Patriotic War with its heavy
defensive battles and grim days of retreat. State Prize Winner (vol.
1), 1948.
|
| Bubennov, Mikhail S. |
Year of Thunder
(Gremyashchi god, 1930 pub. 1932).
Novel about the establishment of kolkhozes in Siberia.
|
| Budantsev, Sergei F. |
Army Commander
(Komandarm, 1923).
A vainglorious, spiritually empty left Social-Revolutionary, filled with
a hatred of Soviet power, leads a revolt in Astrakhan in 1918.
|
| Budantsev, Sergei F. |
House With an Exit into the World
(Dom s Vykodom v Mir, 1930).
A famous construction engineer decides to remain at a large factory
construction site, far from his beloved Moscow. While he is impressed
with the scope of the project and with the people selflessly working on
it, he makes this decision not out of conviction, but rather because of
the messy state of affairs in his own family.
|
| Budantsev, Sergei F. |
Japanese Duel
(Yaponskaya Duel, 1926).
An eccentric bibliographer cannot find his way in the new revolutionary
society, so he gets his revenge by burning his life's work--a
bibliographic collection of translations of western European poets into
Russian.
|
| Budantsev, Sergei F. |
Locusts
(Sarancha, 1927).
A remote area of southern Azerbaijan is threatened with an imminent
attack of ravenous locusts. A local factory director tries to prepare
the region for the attack, but swindlers and saboteurs--both in and out
of official positions--defraud the government, leaving the region
without resources or equipment with which to battle the locusts.
Natural disaster ensues. The innocent are arrested, but the guilty are
punished. (Click here for detailed summary.)
|
| Budantsev, Sergei F. |
Outpost of India
(Forpost Indii, 1922).
A local Persian Bolshevik attempts to lead the oppressed workers in a
rebellion against the English colonialists. Betrayed, he dies a
horrible death in prison at the insistence of the "cultured" English
overlord, who also duplicitously despises the informer who helped him
catch the Bolshevik.
|
| Budantsev, Sergei F. |
Story of Labor
(Rasskaz o trude, 1932).
The story of a worker for whom the interests of the factory are a matter
of his personal proletarian honor. He cannot abide shoddy work and
undertakes to redo faulty welding himself. He works for more than 24
hours straight in order not to fall behind schedule.
|
| Budantsev, Sergei F. |
Tale of the Sufferings of Mind
(Povest o stradaniyakh uma, 1929).
A brilliant scientist of the 1860s, suffering from reactionary
individualism, tries to commit suicide twice, once with morphine, and
once by catching a cold.
|
| Budantsev, Sergei F. |
Wife
(Zhena, 1926).
The story of the four wives of a rich Uzbek in a remote village. The
senior wife is dedicated to her husband and cruel toward the other
wives, all of whom live a hard life with no rights. One of the younger
wives, pregnant, dies as a result of her strenuous labor. Another wife
is drawn to the new life and new people symbolized by the railroad which
is being built through the area. Her attempt at flight is stymied, but
there remains hope for her future.
|
| Budantsev, Sergei F. |
Woman Writer
(Pisatelnitsa, 1936).
A woman writer arrives at a factory to gather material for her next
work. The narrative follows her every step and thought. As the
characters of the heroes of her future novel come more into focus, we
see world view of the old woman writer herself changing.
|
| Budantsev, Sergei F. |
Youth
(Iunosha, 193x).
Unfinished novel about a young man who comes to Moscow to study.
|
| Bulgakov, Mikhail A. |
Adventures of Chichikov
(Pokhozhdenie Chichikova, 192x).
The hero of Gogol's "Dead Souls" arrives in the middle of the Soviet Union of the New Economic Plan (NEP) years.
|
| Bulgakov, Mikhail A. |
Baptism by Rotation
(Kreshcheniye Povorotom, 1925).
A woman at a country hospital is having a difficult labor. The baby is
presenting in a transverse position. The inexperienced doctor is
nervous and tries to delay any action. Finally, he has to reach in and
turn the baby around by the foot. The procedure is successful and the
child is born healthy. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Crimson Island
(Bagrovii ostrov, 1928).
Satirical play.
|
| Bulgakov, Mikhail A. |
Darkness of Egypt
(Tma Egipetskaya, 1925).
The village where a young country doctor works is plunged in darkness:
both a literal darkness, because of a lack of lanterns, and a figurative
darkness--the darkness or ignorance of the peasants. As a result of
this darnkess, some patients almost die by not taking medicine according
to instructions. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Fatal Eggs
(Rokoviye Yaitsa, 1924).
A scientist discovers an amazing new light ray which greatly accelerates
growth in primitive organisms. Bureaucratic bungling leads to the
wrong batch of eggs getting exposed to the ray. The result: giant,
monster snakes, crocodiles, and ostriches roaming the countryside near
Smolensk, terrifying and devouring the citizens. The army of monster
creatures then marches on Moscow. The capital is saved, however, by an
unusually early frost. But it's too late for the discoverer of the ray,
who is done away with by a frenzied mob.
|
| Bulgakov, Mikhail A. |
Flight
(Beg, 1927).
Play.
|
| Bulgakov, Mikhail A. |
Heart of a Dog
(Sobach'e serdtse, 1925).
A scientist implants the testicles and pituitary gland of a dead
criminal onto a dog, which then changes into a half-man, half-dog beast
that goes by the name of Poligraf Poligrafovich Sharik. Poligraf turns
the doctor's life into a nightmare, and the doctor is forced to reverse
the process.
|
| Bulgakov, Mikhail A. |
Lost Eye
(Propavshii Glaz, 1926).
A country doctor treats a gunshot wound. He makes a few minor mistakes,
which, fortunately, do not lead to any tragic consquences. But the
doctor humbly recognizes that he has to study more. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Master and Margarita
(Master i Margarita, 1940).
Novel played out on three levels. First level: Historical narrative
set in Jerusalem where Pontius Pilate condemns Yeshua, a man he knows to
be innocent; Second level: Set in contemporary Moscow where the
Master has written a novel about Pilate; and Third level: fantanstic
level where the devil and his retinue step into Moscow to do some good.
|
| Bulgakov, Mikhail A. |
Morphine
(Morfiy, 1927).
A country doctor gives himself an injection of morphine to relieve
abdominal pain. It also relieves his despair over a lost love and
feeling of loneliness. He becomes addicted, and all attempts to end the
habit fail. So, in the end, the doctor commits suicide. From Notes of a Young Doctor (with some scholarly dispute on this subject).
|
| Bulgakov, Mikhail A. |
Snowstorm
(Viuiga, 1926).
A country doctor travels through a snowstorm to treat a young bride, who
suffered a skull fracture before her wedding. The doctor is unable to
save her. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Starry Rash
(Zvezdnaya Syp, 1926).
A country doctor fights venereal disease, which is rampant in the area. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Steel Throat
(Stalnoye Gorlye, 1925).
A little girl suffering from diphtheria is brought to a rural hospital.
She is having difficulty breathing. The young doctor sees that a
tracheotomy is the only way to save the girl, but he is worried since he
has never performed the procedure. The girl's mother at first objects
to surgery, but then relents. The tracheotomy is successful and the
child survives. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
Theatrical Novel
(Teatral'nii roman, 1937).
When a writer's novel fails, he attempts suicide. When that fails, he
dramatizes his novel. To his surprise, the play is accepted by the
legendary "Independent Theatre". But now a vortex of inflated egos may
prevent the play from ever being performed.
|
| Bulgakov, Mikhail A. |
Towel With an Embroidered Rooster
(Polotenste s petukhom, 1926).
A young doctor, fraught with anxiety over his inexperience, arrives at a
country hospital. His first patient is a young girl, mangled in a
flax-threshing machine. No one expects her to survive, yet the doctor
feels compelled to try to save her, despite his ignorance. He amputates a
leg, the girl hangs on and eventually recovers. In gratitude, the girl
presents the doctor with an embroidered towel. From Notes of a Young Doctor.
|
| Bulgakov, Mikhail A. |
White Guard
(Belaya gvardiya, 1924).
A family of White Guardists and their friends are forced to accept
defeat as their side loses to Petlyura's Ukrainian nationalists in Kiev
in December 1918. (Click here for detailed summary.)
|
| Bulychev, Kir |
Abduction of the Sorcerer
(Pokhisheniye charodeya, 1981).
Time travelers from the future stop off in the Soviet Union of the 1980s
on their way to the past to kidnap a 13th-century sorcerer. (Click here for detailed summary.)
|
| Bykov, Vasili V. |
Alpine Ballad
(Al'pinskaya ballada, 196x).
xxx
|
| Bykov, Vasili V. |
Cordon
(Oblava, 1990).
A peasant buys a threshing machine, which he sometimes rents out or just
lends to others. He is denounced as a kulak, forced from the village
then driven to suicide.1
|
| Bykov, Vasili V. |
Dead Men Feel No Pain
(Mertvym ne bol'no, 196x).
xxx
|
| Bykov, Vasili V. |
Death of a Man
(Smert' cheloveka, 195x).
xxx
|
| Bykov, Vasili V. |
In the Mist
(V tumane, 1987).
Two Belorussian partisans are ordered to execute a third, who is
mistakenly thought to have informed on them. The would-be executioners,
however, die before they can carry out their instructions. The
innocent man, knowing that he cannot prove his innocence, commits
suicide.1
|
| Bykov, Vasili V. |
Live Till Dawn
(Dozhit' do rassveta, 197x).
xxx
|
| Bykov, Vasili V. |
Obelisk
(Obelisk, 197x).
xxx
|
| Bykov, Vasili V. |
Pack of Wolves
(xxx, 19xx).
In the forests of Belorussia in 1942, a group of disabled Russian
partisans makes its way to a medical unit while being pursued by German
soldiers.
|
| Bykov, Vasili V. |
Quarry
(Kar'er, 1986).
During the Great Patriotic War, an Soviet officer hides out in a
Belorussian village. In his attempt to rejoin Soviet forces, he
unwittingly causes the death of one of his protectors.
|
| Bykov, Vasili V. |
Sign of Misfortune
(Znak bedy, 1983).
The sufferings of a peasant couple first during the forced
collectivization of the 1930s, then under the brutal yoke of Nazi
occupation. Lenin Prize winner, 1986.
|
| Bykov, Vasili V. |
Sotnikov
(xxx, 197x).
The story of two very different individuals and their behavior when mortal danger threatens.
|
| Bykov, Vasili V. |
Third Rocket
(Tret'ya raketa, 1962).
xxx
|
| Bykov, Vasili V. |
To Go and Not Return
(Poiti i ne vernut'sya, 197x).
xxx
|
| Bykov, Vasili V. |
Twentieth
(Dvadtsatii, 195x).
xxx
|
| Chapygin, Aleksei P. |
On Swan Lakes
(Na lebyazh'ikh ozyorak, 1922).
xxx
|
| Chapygin, Aleksei P. |
Stepan Razin
(Razin Stepan, 1926).
Grand epic concerning the 17th-century rebel leader. One thousand pages long.
|
| Chernyonok, Mikhail Ya. |
Losing Bet
(Stavka na proigrysh, 1979).
In Novosibirsk, militia detective Anton Biriukov unravels a web of
fraud, illegal book speculation, icon forgery and murder. But don't
worry...Soviet justice triumphs in the end. Written by the "Siberian
Simenon". (Click here for detailed summary.)
|
| Davydov, Yuri |
Adkhalib
(Adkhalib, 19xx).
xxx
|
| Davydov, Yuri |
Blue Tulips
(xxx, 19xx).
xxx
|
| Davydov, Yuri |
Evenings at Kolmovo
(Vechera v Kolmove, 1988).
A doctor in a rural mental hospital in the late 19th century treats the Populist writer Gleb Upsensky1
|
| Davydov, Yuri |
Fate of Usoltsev
(Sudba Usoltseva, 1972).
In the late 1880s, a group of Russian peasants and intellectuals go to
Ethiopia to start a socialist colony. The experiment eventually
collapses in an atmosphere of thought control and spy-mania. 1
|
| Davydov, Yuri |
March
(Mart, 1959).
Historical novel about the early revolutionaries of the People's Will political movement.
|
| Davydov, Yuri |
Sailor and Voyages
(xxx, 19xx).
xxx
|
| Davydov, Yuri |
Scent of Almond
(xxx, 19xx).
Novel recalling certain episodes in the story of the Russian revolution of 1905. 2
|
| Dudintsev, Vladimir |
Mad Boy
(Beshenii malchishka, 1958).
A friendly homeless dog is adopted by an entire Moscow apartment
building. Everyone likes and is nice to the dog, except for the son of a
haughty, Volga-owning intellectual--an intellectual who, by the way,
never dirties his hands with manual labor and is extremely negligent in
his maintenance of the Volga. The boy teases the dog mercilessly. One
day, unable to endure the taunting any longer, the dog bites the boy on
the finger. The boy's father complains to the house manager, who, after
hearing the evidence, quite rightly says it's the boy's fault and
refuses to do anything about the dog. The intellectual gets into his
Volga and goes off somewhere to complain. As a result, the house
manager is disciplined and ordered to kill the dog. Knowing that the
dog is doomed, a truck driver in the building takes the dog in his truck
and drives him down to his parents in Kharkov. The dog is able to live
out his days happily guarding the kolkhoz apple trees. Things are not
so happy for the boy who started it all, however. His father forces him
to undergo a series of painful anti-rabies shots. And, of course, all
the other children taunt him as "mad" or "rabid". (Click here to read complete text in Russian.)
|
| Dudintsev, Vladimir |
Meeting with a Birch Tree
(Vstrecha s Berezoi, 1946).
A young soldier returns to Moscow after the war. He looks for his
girlfriend, intending to propose, but she has disappeared. She was
evacuated with her factory during the war to an unknown location. He is
despondent but then finds a message carved for him on a birch tree
where he and she used to meet. He hugs the tree and cries.
|
| Dudintsev, Vladimir |
Mountain Sickness
(Gornaya bolezn, 1947).
A relatively inexperienced woman mountain climber joins two men on a
climb. One of the men--with a bad leg which he is trying to hide from
the others--is having a difficult time. The woman understands and
provides surprising help which enables the whole team to reach the peak.
|
| Dudintsev, Vladimir |
New Year's Tale
(xxx, 1957).
A fable for adults that takes place on a distant planet where half the
people live in complete darkness, the other half in light. Thugs run
the dark continent, but things work out in the end.
|
| Dudintsev, Vladimir |
Not By Bread Alone
(Ne khlebom edinim, 1956).
An inventor struggles against the invisible empire of bureaucracy and
self-servers in a courageous attempt to advance the Soviet pipe
industry. (Click here for detailed summary.)
|
| Dudintsev, Vladimir |
On the Night Shift
(V nochnoi smene, 1948).
Jealousy over a woman threatens to disrupt work at a factory. But in
the end the peaceful principles of socialist competition win out and
even the loser in love congratulates his rival.
|
| Dudintsev, Vladimir |
Ski Tracks
(Lyzhnii sled, 1951).
A healthy young mechanic skis the long distance from his Machine Tractor
Station to a remote Siberian village to see his girlfriend. A
trouble-maker tries to separate the lovers, but a wise older mechanic
sets them back on the right path.
|
| Dudintsev, Vladimir |
Snarsky's Hut
(Izbushka Snarskovo, 1946).
A flood sweeps away a workers' hut with a man trapped inside. A daring rescue ensues.
|
| Dudintsev, Vladimir |
Station "Nina"
(Stantsiya "Nina", 1949).
A pretty young geologist named Nina is having a hard time figuring out
if a large granite mountain in Kirghizia can be blast out of the way for
a new railroad. She needs drawings and samples from high up top. The
members of the demolition team fail in their attempts to do this. But a
young Kirghiz boy makes it up to the highest cliff, where he scrapes
out "Nina" in giant letters for all to see, so he can prove that he
actually got there. Based on the infornation and samples brought back
by the boy, the demolition proceeds. The giant slab with the "Nina"
inscription lodges itself right at the entrance to the newly created
gorge, thus ensuring that the future railway stop here will be named
"Nina".
|
| Dudintsev, Vladimir |
White Robes
(Beliye odezhdi, 1987).
In the late 1940s, despite Lysenko's denunciation of genetics as the
"whore-child of imperialism", some brave Soviet scientists secretly
carry on research in the field.
|
| Dudintsev, Vladimir |
With Seven Bogatyrs
(U semi bogatyrei, 1951).
A woman is assigned to a brigade of explosives workers, working through
the winter in the high mountains, clearing the way for a future
railroad. The woman helps come up with a way to double their pace of
work.
|
| Dumbadze, Nodar |
Blood Knot
(xxx, 1984?).
An old man and an old woman battle each other to win the custody of their less-than-perfect grandson. (Georgian) (Click here for entire text in English.)
|
| Dumbadze, Nodar |
Granny, Iliko, Illarion and I
(xxx, 19xx).
The story of the wartime childhood of an orphaned Georgian boy and his youth and studies at Tbilisi University. (Georgian)
|
| Dumbadze, Nodar |
Kukaracha.
(xxx, 19xx).
Novel about love and loyalty, bravery and betrayal centering about a
Georgian militia man, affectionately called �Kuckracha� by both the
kids and the adults. He is a conscientious divisional inspector
investigating various incidents, calling to order local hoodlums and
settling family arguments. He helps out a young woman who fell prey to
Murtalo, a bandit and murderer. The young people fall in love with each
other. But Murtalo decides to take revenge on Kukaracha. (Georgian)
|
| Ehrenburg, Ilya G. |
Conspiracy of Equals
(Zagavor Ravnikh, 1928).
Historical novel concerning the Babeuf movement in Revolutionary France,
which rejected terror and advocated an egalitarian democracy.
Dismissed by Stalin as "pulp literature" suitable for "a real bourgeois
chamber theater."
|
| Ehrenburg, Ilya G. |
Curious Incident
(Liubopitnoe Proizshestvie, 1922).
A Bolshevik leader tours the jail where he was once imprisoned under the
tsar. He accidentally gets locked up with a Menshevik. By the time
the mistake is discovered, the Bolshevik leader has gone looney and
refuses to leave. The Cheka have to forcefully remove him to a
sanitarium where, every morning, he shouts, "I only want to subvert!"
|
| Ehrenburg, Ilya G. |
Extraordinary Adventures of Julio Jurenito and His Disciples
(Neobychainiye Pokhozhdeniye Khulio Khurenito i Evo Uchenikov, 1921).
A mysterious Mexican named Julio Jurenito meets up with a fictional Ilya
Ehrenburg and several other disciples, who follow him on a quest to
disrupt Europe, undermining its myths and complacent assumptions about
religion, politics, love, marriage, art, socialism, and the rules of
war. The Pope is lampooned, as is the eternal internal bickering among
socialist factions. Eerily, the Nazi Final Solution is presaged as
Julio sends out invitations to the extermination of the Jewish tribe.
In Moscow, Jurenito meets with a Bolshevik leader obviously meant to
represent Lenin. This fictional Lenin shows himself to be ruthless,
vowing to exterminate all enemies. Praised by Zamyatin as a perfect
example of literary heresy.
|
| Ehrenburg, Ilya G. |
Fall of Paris
(Padeniye Parizha, 1941).
Novel giving a portrait of France between 1935 and 1941, showing that
the salvation of France can come only from its working class and
Communist Party. Offers character studies of French politicians,
industrialists, intellectuals, and workers. In the end, the
hero-Communists, who have an unshakable trust in the Soviet Union, look
forward to the coming battles and to the positive future which will
result from them. Stalin Prize winner, 1942.
|
| Ehrenburg, Ilya G. |
Grabber
(Rvach, 1924).
A Social-Revolutionary flees Moscow after his party's anti-Bolshevik
revolt fails in 1918. He survives the Civil War and makes his way back
to Moscow as the NEP is in full swing. But he no longer understands
society's rules, gets arrested because of links to a currency
speculator, and commits suicide in jail.
|
| Ehrenburg, Ilya G. |
Improved Communist Man
(Uskomchel, 1922).
A thoroughly Communist Kremlin bureaucrat creates the ideal Communist
agitator. The agitator, however, turns on the bureaucrat, so completely
disrupting the bureaucrat's life that he goes mad and dies.
|
| Ehrenburg, Ilya G. |
Life and Death of Nikolai Kurbov
(Zhizn' i Smert Nikolaya Kurbova, 1923).
A dedicated member of the Cheka works tirelessly against enemies of the
people and signs death warrants without hesitation. However, his faith
is shaken when the NEP is announced, and he ends up shooting himself.
|
| Ehrenburg, Ilya G. |
Lion on the Square
(Lev Na Ploshchadi, 1948).
A play that is a blistering, vicious attack on the behavior of Americans in post-war Europe.
|
| Ehrenburg, Ilya G. |
Love of Jeanne Ney
(Liubov Zhanny Nei, 1923).
A young, respectable French bourgeois woman falls in love with a Russian
Communist who is sent to France on a subversive mission. He is
arrested on a murder charge and the only way to prove his innocence to
to reveal his true mission. He remains heroically silent and is
sentences to death. Jeanne sacrifices her honor in a vain attempt to
save her lover.
|
| Ehrenburg, Ilya G. |
Moscow Does Not Believe in Tears
(Moskva Slezam ne Verit, 1932).
Novel about the difficulties of a Russian artist who has the opportunity
to study in Paris. He is attacked by a critic at home who denounces
his work as degenerate and bourgeois. Western capitalist society is
compared to a lavatory in a fifth-rate Paris hotel.
|
| Ehrenburg, Ilya G. |
Ninth Wave
(xxx, 1951).
Crude propaganda novel about the Peace Movement and the Cold War. Later
renounced by Ehrenburg, who refused to have it included in his
Collected Works.
|
| Ehrenburg, Ilya G. |
On Portochnoi Lane (aka "A Street In Moscow")
(V Portochnoi Pereulke, 1927).
Graphic and often sordid account of daily life in a Moscow working class
area during the mid-1920s, as characters come to terms with changes
brought by the Revolution.
|
| Ehrenburg, Ilya G. |
Second Day (aka "Out of Chaos")
(Den' Vtoroi, 1933).
Day-to-day account of the harsh conditions of life and heroic efforts
of workers to over come nature's resistance as they built a blast
furnace in Kuznetsk. A weak dreamer tries to fit in with the more
dedicated workers but fails. He becomes complicit in an act of
vandalism. Ashamed of his own spiritual bankruptcy, he commits suicide.
|
| Ehrenburg, Ilya G. |
Storm
(Burya, 1948).
Novel about World War II with action set both in the Soviet Union and in
France. It described the enormous efforts of the Red Army to defeat
Nazi Germany. Containes descriptions of the massacres of Jews at Babi
Yar, portrays a shocking liaison between a Russian and a French actress
(marriages with foreigners were illegal at the time), and makes an
oblique jibe at the Hitler-Stalin pact. Stalin Prize winner, 1948.
|
| Ehrenburg, Ilya G. |
Stormy Life of Lasik Roitschwantz
(Burnaya Zhizn' Lazika Roitshvantsa, 1928).
A simple, good-natured Jew from Belorussia wanders to Moscow, Warsaw,
Germany, France, England and Palestine, suffering beatings, jailings,
and indignities of all sorts wherever he goes.
|
| Ehrenburg, Ilya G. |
The Thaw
(Ottepel, 1954).
The novel which gave its name to an entire era of Soviet history,
consisting mainly of interior monologues of a wide range of characters
most of whom---willingly or unwillingly--are living inner personal lives
at odds with their outer, public lives. The wife of an unimaginative
but successful factory director struggles with her growing alienation
from her husband. Others struggle to keep love out of their souls
because it conflicts with their duties to the factory and to the Party.
A talented artist who squandered his talent and became a hack for the
sake of success struggles to maintain his cynical outlook so he won't
have to face his own spiritual bankruptcy. But as the cold winter
passes and the spring thaw comes, a change is beginning--loves and
childlike exuberances with all their unexplainable contradictions are
blossoming out into the open, with no regard to poltical correctness.
Stalin and his passing are nowhere referred to in the work, but the time
frame of the action is clear to the readers. Explosive for its time as
well were passing references to the injustices of the terror and the
absurd Doctors' Plot. (Click here for detailed summary.)
|
| Esin, Sergei |
One's Work is Never Done
(Nezavershenka, 1986).
A public baths attendant makes money selling illicit vodka and snacks to
customers. When reforms are initiated, the attendant tries to stop
them by setting fire to the establishment and flooding it.1
|
| Esin, Sergei |
Present Day
(Tekushchii den', 1979).
The ambition, conniving wife of a bureaucrat, pushes her husband into a
job beyond his powers, resulting in a fatal heart-attack. An indictment
of materialism and unscrupulous selfishness in the bureaucratic class.1
|
| Evdokimov, I. |
Bells
(Kolokola, 1926).
Historical fiction on the Bolshevik underground.3
|
| Fadeev, Aleksandr A. |
Last of the Udeghe
(Poslednii iz Udege, 19xx).
Unfinished novel about the Udeghe people of far eastern Siberia.
|
| Fadeev, Aleksandr A. |
Rout, The
(Razgrom, 1927).
Red Army partisans flee from pursuing Cossacks and Japanese interventionist forces in Russia's Far East. (Click here for detailed summary.)
|
| Fadeev, Aleksandr A. |
Tale of Our Youth.
(xxx, 19xx).
xxx
|
| Fadeev, Aleksandr A. |
Young Guard
(Molodaya Gvardia, 1945).
Account of the heroic exploits of young Communist underground workers in
the Donbass town of Krasnodon during the Nazi occupation. Stalin Prize winner.
|
| Fedin, Konstantin |
Arktur Sanitorium
(xxx, 1940).
Life among patients in a Swiss health sanitorium.
|
| Fedin, Konstantin |
Bonfire
(xxx, 19xx).
xxx
|
| Fedin, Konstantin |
Brothers
(Bratya, 1928).
A musician and composer attempts to claim an expemption from
Revolutionary service in pursuit of his individual artistic expression.
He argues with his brother, a Bolshevik who goes off to die in battle.
In the end, the musician takes up his brother's cause and believes,
therefore, that he has overcome the contradiction between art and
Revolutionary activity. However, his view of art as essentially tragic,
born in solitude, remains unchanged.
|
| Fedin, Konstantin |
Cities and Years
(Goroda i Godi, 1924).
A spineless Russian intellectual is interred in Germany at the start of
World War I. He falls in love with a German girl, Mari, who helps him
in an escape attempt. Once back in Russia after the war, he struggles
to find his place in Revolutionary society. Forgetting his promises to
send for Mari, he gets another girl pregnant. He also helps a personal
acquaintance, now a counterrevolutionary, escape Soviet justice. For
this betrayal of the Soviet cause, his best friend kills him. Told in a
disjointed, non-sequential narrative with frequent lyrical digressions.
(Click here for detailed summary.)
|
| Fedin, Konstantin |
First Joys
(Perviye Radosti, 1945 - 1946).
A broad, realistic novel set in Saratov on the Volga on the eve of World
War I. Shows the actions of a young, budding revolutionary (Izvekov)
and an older revolutionary factory worker (Ragozin), both of whom get
arrested. Various other strata of pre-revolutionary Russia are also
shown. Stalin Prize winner.
|
| Fedin, Konstantin |
Muzhiki
(Muzhiki, 19xx).
Cruelty and brutality abound in several episodes from the life of a village shepherd and his daughter.
|
| Fedin, Konstantin |
No Ordinary Summer
(Neobyknovennoye leto, 1948).
In 1919, a Russian soldier escapes from a German prisoner of war camp
and makes it back to Russia, which is caught up in the Civil War. Back,
too, are Izvekov and Ragozin from First Joys, and they meet up with old
enemies and friends. Stalin, not Trotsky, the hero of the Battle of
Tsaritsyn. And a nonpolitical writer tries to maintain his artistic
freedom and express his sympathies for the suffering, no matter what
side they are on. Stalin Prize winner.
|
| Fedin, Konstantin |
Orchard
(Sad, 1920).
An old gardener watches sadly as the orchard he cared for and the manor
house of the old owners are turned over to a Soviet orphanage and fall
into neglect. He sets the house and orchard on fire.
|
| Fedin, Konstantin |
Rape of Europe
(Pokhishcheniye Evropy, 1934).
A bourgeois Dutch family bicker among themselves as they try to hold
onto a timber concession in the Soviet Union. In the end, the Soviet
Union is strong enough to kick them out, reducing them to the status of
timber broker. Told through the eyes of a Communist journalist, who
absconds with the wife of one of the Dutchmen.
|
| Fedin, Konstantin |
Test of Feelings
(Ispytanie chuvstv, 1942).
A play depicting a heroine, Aglaia, involved with the anti-German resistance during World War II.
|
| Fedin, Konstantin |
Transvaal
(Transvaal, 1926).
A tough Estonian of Boer extraction comes to wield almost dictatorial ecomonic power over the peasants of his village.
|
| Fedoseev, Grigori |
Along the Eastern Sayan
(xxx, 19xx).
xxx
|
| Fedoseev, Grigori |
Forest Mysteries
(xxx, 19xx).
xxx.
|
| Furmanov, Dmitri |
Chapaev
(Chapaev, 1923).
A straightforward, factual narrative concerning the exploits of Chapaev,
a colorful and charismatic commander of Red Amry forces, who, along
with his faithful political commisar, Klichkov, fights a never-ending
battle against Kolchak, Cossacks, and other enemies of Communism during
the Civil War. But in the end, the Cossacks catch him with his pants
down. Perhaps the granddaddy of all Socialist Realism. (Click here for detailed summary.)
|
| Furmanov, Dmitri |
Red Landing
(Krasnii Desant, 1923).
A story about a Red Army operation against Wrangle's forces.
|
| Furmanov, Dmitri |
Revolt
(Myatezh, 1925).
A semidocumentary account of the Civil War in Central Asia.
|
| Gaidar, Arkady |
Distant Lands
(Dalniye Strani, 1932).
The hum of construction comes to a backwoods village, where the children dream of distant lands.
|
| Gaidar, Arkady |
Fourth Dug-Out
(Chetvyortii Blindazh, 1929).
Tale about some children being accidently exposed to artillery fire.
|
| Gaidar, Arkady |
Tale of the Military Secret
(Skazka o Voennoi Taine, 1935).
The peaceful Soviet motherland is subjected to a perfidious sneak attack
by bourgeois forces. As the Soviet fathers and older brothers are
killed, little children have to join the battle. One such child is the
Malchik-Kilbachish. He is captured and tortured, but remains true to
his word and does not reveal the great military secret of what makes the
motherland and the workers of the world so strong. His bravery gives
the Red Army the time it needs to ride to the rescue. (Click here for complete text in Russian and English.)
|
| Gaidar, Arkady |
Timur and His Gang
(Timur i Evo Komanda, 1940).
A gang of kids sneaks around a village secretly doing good deeds,
protecting families whose fathers and husbands are in the Red Army, and
doing battle against nasty hooligans. This story was part of the
curriculum in every Soviet school up until 1991.
|
| Galshoyan, Mushegh |
Bovtun
(xxx, 1977?).
A social drama which tells about the children of refugees from Western
(Turkish) Armenia, who construct a new village in a stone valley.
(Armenian)
|
| Ganina, Maya |
Matvei and Shurka.
(xxx, 19xx).
xxx
|
| Gelman, Aleksandr |
Feedback
(xxx, 197x).
Play dealing with the difficulties of industrial management and
production. It contains criticism of "working for the record",
bureaucracy, and careerism of some Party workers. Human factors are
stressed, such as the harm of pursuing selfish aims and the importance
of everyone's individual effort.
|
| Genatulin, Anatoli |
Tunnel
(Tunnel, 1987).
A Russian, whose sweetheart was raped and murdered by Nazis, is consumed
by a hatred of Germans. After the war, some German prisoners save his
life, and the Russian comes to accept the Germans as human beings.1
|
| German, Yuri P. |
Aleksei Zhmakin
(Aleksei Zhmakin, 19xx).
An escaped criminal is tracked down by a virtuous OGPU agent more inclined to "reform" his quarry than punish him.
|
| German, Yuri P. |
Eternal Battle
(xxx, 19xx).
A young doctor deals with his disappointment and volunteers for experiments studying the effects of x-rays.
|
| German, Yuri P. |
Our Friends
(Nashi Znakomiye, 1936).
Story of a young woman who searches for meaning and purpose in life as
she drifts aimlessly through a series of bad marriages (one to a
smuggler and one to an old bourgeois). She finally finds regeneration,
happiness, and a socially useful purpose when she marries a kind OGPU
agent.
|
| German, Yuri P. |
Young Russia
(Rossiya molodaya, 1953).
Historical novel set in the period of Peter the Great.
|
| Gladkov, Fyodor V. |
Cement
(Tsement, 1924).
True Communists fight White Guards, bandits, lust and corruption as they
struggle to bring a cement factory and the Soviet economy back to life
in post-Civil War days. (Click here for detailed summary.)
|
| Gladkov, Fyodor V. |
Conversations with Pasternak
(xxx, 19xx).
xxx
|
| Gladkov, Fyodor V. |
Deadwood
(xxx, 19xx).
xxx
|
| Gladkov, Fyodor V. |
Energy
(Energiya, 1938).
Deals with construction of the Dneproges hydroelectric plant on the Dnieper River.
|
| Gladkov, Fyodor V. |
Firey Steed
(xxx, 1922).
Depiction of the Revolution in the Kuban Cossack region.
|
| Gorbatov, Boris L. |
Unconquered
(Nepokoryonniye, 1943).
The life and reactions of a Soviet family in the Kuban after it is
overrun by the Nazis. The family structure is modeled on that of
Gogol's Taras Bulba. Stalin Prize winner.
|
| Gorbunov, Nikolai |
Mistake (Monologue of a Professor)
(Oshibka (Monolog professora), 1956).
A prominent geographer analyzes his life and finds his personal
achievements as well as the entire academic field of geography to be
failures, despite all appearances of success by Soviet standards.9
|
| Gorky, Maksim |
Artamonov Business, The
(Delo Artamonovykh, 1925).
Story of three generations of a self-made bourgeois family. In the end,
after the Revolution, the family business is confiscated and the old
owner left to die a natural death from hunger.
|
| Gorky, Maksim |
Dostigayev and Others
(Dostigayev i drugiye, 19xx).
xxx
|
| Gorky, Maksim |
Egor Bulychev and Others
(Egor Bulychev i Drugiye, 1932).
In a provincial town in February 1917, as social order crumbles, the
owner of a successful local firm is dying. The vultures--his
family--gather, eager to divide up his wealth. He rages against the
fraud in their lives and in his own; consults priests and sorcerers,
even though he knows them to be quacks; and, in the end, not
surprisingly, dies.
|
| Gorky, Maksim |
Fat-Faced Passions
(Strasti-Mordasti, 1917).
A kvas-seller meets an abused young woman and her 12-year-old crippled
son, who have been driven into grinding poverty. Despite the
hoplessness of their situation and the alcoholism of his mother, the
boy--who keeps a menagarie of cockroaches and other bugs--holds onto his
dreams of a brighter future. (Click here for detailed summary.)
|
| Gorky, Maksim |
Hermit
(Otshelnik, 1922).
A cave-dwelling hermit dispenses advice and somewhat non-Orthodox
religious comfort to his many visitors, who come telling their tales of
woe. His specialty is understanding women, a result of his serious
womanizing many years earlier.
|
| Gorky, Maksim |
Sky-Blue Life
(Golubaya zhizn', 1924).
xxx
|
| Gorky, Maksim |
Somov and Others
(Somov i Drugiye, 1931).
Play about an evil plan by some engineers to sabotage the Soviet
economy. But don't worry, the evil-doers are arrested by the GPU.
|
| Granin, Daniil |
Bison
(Zubr, 1987).
A Soviet geneticist decides to spend 1925 to 1945 working in Germany
instead of the Soviet Union, where Stalin and Lysenko terrorize the
scientific community.
|
| Ilf, Ilya & Petrov, Evgeny |
Nervous People
(Nervniye liudi, 19xx).
A doctor and his patient both work themselves up into a nervous tizzy as
they recount the various injustices they have suffered waiting for a
new apartment assignment.
|
| Ilf, Ilya & Petrov, Evgeny |
Strong Feeling
(Silnoye chustvo, 1933).
The bride at a wedding party won't begin the festivities until a
foreigner--any foreigner--arrives. When one finally does show up, the
guests find out that he isn't rich or influential, so they ignore him.
There isn't enough vodka, but that doesn't stop the bickering.
Unfortunate family and professional secrets get revealed, and the bride
abandons her groom for another man. A vaudeville in one act.
|
| Ilf, Ilya & Petrov, Evgeny |
Twelve Chairs
(Dvenadtsat stulev, 1928).
Con-man Ostap Bender travels far and wide in an attempt to find diamonds
hidden in one of a set of twelve chairs which have been dispersed
throughout the USSR. Hilarious hijinks ensue. Includes the greatest
piece of chess humor ever written. (Click here for complete chapter "Interplanetary Chess Congress.")
|
| Ilin, Yakov |
The Big Conveyor Belt
(xxx, 1934).
A tractor plant director, depressed by failure to get production going
at his new plant, resigns. But then he attends a Kremlin conference at
which Stalin explains the causes of current difficulties and how to
overcome them. Inspired by the great leader's words, the plant director
rushes to Ordzhonikidze and begs to be sent back to work wherever he is
needed.
|
| Ilus, Vyaino |
Golden Fund
(xxx, 1967).
The old-style director of a metal works is replaced by a younger man.
The workers don't resent the innovations the new man brings, but they
resent the fact that he comes in with a diploma and an arrogant style,
whereas the old boss--coarse and vulgar sometimes--was one of them, a
worker from the ranks. (Estonian)
|
| Iskander, Fazil |
Old House Under the Cypress
(Starii dom pod kiparisom, 1987).
xxx
|
| Iskander, Fazil |
Rabbits and Boa Constrictors
(Kroliki I udavy, 1982).
A community of submissive rabbits, led by a corrupt king, live only to
be consumed by a nearby community of snakes...until one day a dissident
rabbit refuses to be swallowed.
|
| Iskander, Fazil |
Sandro of Chegem
(Sandro iz Chegema, 1983).
A loose compilation of stories about a rougish neer-do-well and
trickster in Abkhkazia. Tall tales, amusing adventures, parodies and
satires of Soviet life abound.1
|
| Ivanov, Vadim |
We Grew Up
(xxx, 196x ?).
Siberian story.
|
| Ivanov, Vsevolod |
Adventures of a Fakir
(xxx, 1934 - 1935).
Autobiographical novel featuring the author's experiences as a circus performer.
|
| Ivanov, Vsevolod |
Armored Train 14-69
(Bronepoezd 14-69, 1922).
In remote Siberia, a band of Red partisans are given the assignment of
blocking a White armored train with only small weapons and bare hands.
How do they do it? A Chinese member of the group lies across the
tracks, getting mangled and killed, but stopping the train.3
|
| Ivanov, Vsevolod |
Azure Sands
(Golubie peski, 1922).
Various forces try to capture a remote Siberian town during the Civil
War. In the end, all the heroes die--White, Red, and Green--and the
town again sinks into obscurity.3
|
| Ivanov, Vsevolod |
Baby, The
(xxx, 1926?).
Red partisan peasants in Mongolia discover an unweaned Russian baby. To
feed the baby, they kidnap a young Kirghiz woman. When they discover
that the woman is feeding her own baby more than the Russian baby, they
abandon the Kirghiz baby in the wild so that the Russian baby can grow
up fat and healthy.
|
| Ivanov, Vsevolod |
Colored Winds
(Tsetniye vetra, 1922).
Civil War tale.
|
| Ivanov, Vsevolod |
Cotton
(Khlopok, 1928).
An English secret agent and a Red commissar discover that the common struggle for survival dissipates their class hatred.3
|
| Ivanov, Vsevolod |
Duty
(Dolg, 1923).
A Red officer saves the life of a White. Later, when the tables are turned, the White returns the favor.3
|
| Ivanov, Vsevolod |
Fecundity
(Plodorodie, 1926).
Short story.
|
| Ivanov, Vsevolod |
God Matvei
(Bog Matvei, 1927).
A peasant in a Red Army regiment, claims that he is God and orders the
fighting to stop. He "miraculously" dodges bullets for a time, but in
the end his mortality is proved. After his burial, the Reds march on to
victory.3
|
| Ivanov, Vsevolod |
How Burial Mounds Are Made
(Kak sozdaiutsya kurgany, 1924).
In Siberia during the Civil War, 8,000 corpses lie stacked waiting for
burial in the frozen ground. It is difficult, but a grave is carved in
the ground, the bodies dumped in, and dirt thrown on top in the shape of
an ancient Sythian burial mound.3
|
| Ivanov, Vsevolod |
Khabu
(Khabu, 1925).
Short novel revolving around a building of a railroad in the trackless
taiga. Nature is defeated, and the hero dies the moment his dream is
realized.3
|
| Kataev, Valentin P. |
I, a Son of the Working People
(Ya, Syn Trudovovo Naroda, 1937).
In 1918, a demobilized soldier, returns to his village, hoping to marry
Sofya, daughter of the wealthy Tkachenko. The latter hopes to restore
the old order and plots with loyalist elements and Germans to undermine
the revolution and to thwart Semyon's marital intentions. In the end,
Semyon, after Tkachenko's intrigues have cost the lives of two friends,
is reunited with Sofya, and Tkachenko is arrested and executed.
|
| Kataev, Valentin P. |
Rodion Zhukov
(Rodion Zhukov, 1926).
A sailor deserts from the Battelship Potemkin in Rumania and makes his
way through formidable obstacles back to Russia in response to the pull
of the soil.3
|
| Kataev, Valentin P. |
Son of the Regiment
(Syn polka, 1945).
A homeless orphan boy named Vanya is picked up by a Soviet front-line
artillery unit. At first, the commander wants to send the boy to a
children's home in the rear. But Vanya refuses to go, so the army
relents and lets him stay on to fight with them. He gets his first bath
in three years, a real Red Army uniform, and an opportunity to fire a
cannon at those nasty Germans. He is sent on a dangerous secret mission
behind German lines where he is captured. But, despite an unpleasant
interrogation, he does not reveal the location of Soviet troops. Near
the end, Vanya takes part in a fierce and bloody battle in which many of
his new comrades are killed or wounded. But Vanya survives and his
new, many-numbered Soviet family sends him to a military academy where
dreams of Stalin urge him on to future success. Stalin Prize winner, 1946. (Click here for detailed plot summary)
|
| Kataev, Valentin P. |
Squaring The Circle
(Kvadrature Kruga, 1927).
Comedy play based on the housing shortage in Moscow during the 1920s.
Two young couples who share a room try to resolve inter-marital
conflicts under the new morality of a new regime.
|
| Kataev, Valentin P. |
Struggle to the Death
(xxx, 1925).
The struggle against bureaucracy gets bogged down in bureaucracy as the
director--acting both as director and as deputized deputy of his deputy
who is on vacation--gets involved in intense bureaucratic in-fighting
with himself.
|
| Kataev, Valentin P. |
Time, Forward!
(Vremya, vpereyod!, 1932).
As the metallurgical plant at Magnitogorsk is constructed, a brigade of
workers rush to break the world record for concrete-pouring. Considered
one of the best of the Five-Year-Plan novels, it shows the influence of
John Dos Passos.
|
| Kataev, Valentin P. |
White Sail Gleams
(Beleyet Parus Odinokii, 1936).
Treatment of the 1905 revolution from the viewpoints of two Odessa schoolboys.
|
| Katerli, Nina |
Barsukov Triangle
(Treugol'nilk Barsukova, 1977).
Harsh, episodic portrayal of a neighborhood of ordinary Leningraders as
they live brutish and crude lives in close quarters, queue up in food
stores, and switch sexual partners. A number of Jewish characters
experience anti-Semitism as they ponder emigration.1
|
| Katerli, Nina |
Between Spring and Summer
(Mezhdu vesnoi i letom, 1983).
A lively young woman is in love with a married man 20 years older than she is.1
|
| Katerli, Nina |
Colored Postcards
(Tsvetnye otkrytki, 1987).
A talented young man on the verge of a successful academic career, gives
it all up and joins the army, unable to bear the prodding pressure of
his mother and the neglect of his father.1
|
| Kaverin, Veniamin A. |
Fifth Wanderer
(Pyatii Strannik, 1921).
The story of four wanderers. They are a puppet master (with his puppet
"Pickelherring"), a scholarly master of many sciences, a philosopher,
and an artisan-glazier. They sign a pact to go in quest of the
solutions to their various pursuits. The searches end unsuccessfully.
And, in the end, it turns out that all four wanderers are really just
puppets, controlled by a mysterious fifth wanderer.
|
| Kaverin, Veniamin A. |
Friend of the Mikado
(Drug Mikado, 1927).
A Japanese samurai-diplomat in a Western capital receives word that the
Mikado has died and that it is now his duty to disembowel himself.
However, life in the West has had an influence on the samurai-diplomat
and he no longers wants to kill himself just because the emperor has
died. So he resigns his post and starts to leave the embassy. The
samurai-diplomat's secretary is about to shoot him for this betrayal
when the secretary suddenly remembers that he himself has just gambled
away the embassy's documents and papers and is in plenty of hot water
unless he disappears along with his boss.
|
| Kaverin, Veniamin A. |
Great Game, The
(Bolshaya Igra, 1925).
Russian and British intelligence agents battle each other in a
cloak-and-dagger game over a prize of international imperialism--the
testament of the Emperor of Ethiopia.
|
| Kaverin, Veniamin A. |
Inspector General
(Revizor, 1926).
A mental patient escapes from the asylum and hides in a public bath.
There he takes over the personality, job, and life of a finance
inspector, who gets shipped off to the asylum. In the end, however,
things revert to the original situation and the patient is back in his
cell at the asylum.
|
| Kaverin, Veniamin A. |
Nine-tenths of Fate
(Devyat Desyatikh Sudby, 1925).
In 1915, an ensign in the tsarist army named Shakhov is court-martialed
for his revolutionary activities. To save his life, he betrays a
comrade. Guilt-ridden, he exiles himself to Siberia, refusing to answer
the letters of his girlfriend, Galya. Finally, he returns to Petrograd
just in time for the Bolshevik uprising, in which he participates.
During the assault on the Winter Palace he shoots and wounds an
anti-Bolshevik officer, who turns out to be Galya. She recovers, but is
alienated from him. Shakhov fights honorably during the Civil War, and
finally he and Galya are reunited. But then the secret of his
pre-Revolutionary disgrace is revealed. He is arrested and about to be
given the death sentence when the comrade he betrayed suddenly appears.
He had managed to escape exection back in 1915 and now pleads for
Shakhov's acquittal. Shakhov is released and, along with Galya lives,
happily ever after in a new life of dedication to the Revolution.
|
| Kaverin, Veniamin A. |
Open Book
(Otkrytaya Kniga, 1956).
A young biologist offers a new biological theory. The entrenched old
guard resists, but the biologist bravely defends her theory, at great
personal cost.
|
| Kaverin, Veniamin A. |
Purple Palimpsest
(Purpurnii polimkpsest, 1923?).
A bookbinder and a scholar are traveling to each other's towns. On the
road, their carriages collide. Afterwards, they accidentally get into
the wrong coaches and each is taken back to his home town. However,
some of the bookbinder's personality has rubbed off on the scholar, and
vice versa so that their identities become blurred and superimposed on
one another.
|
| Kaverin, Veniamin A. |
Seven Pairs of Dirty Ones
(Sem Par Nechistykh, 1962).
The discrepancy between legality and morality of the Stalin time is
revealed in a tragic episode during the transportation of convicts in
the White Sea.
|
| Kaverin, Veniamin A. |
Shields (and Candles)
(Shchity (i Svechi), 1922 ).
A soldier comes to kill a carpenter for the disgrace and murder of his
sister. Instead, he sits down to play cards with the carpenter, a
shoemaker, and a mute. After the game, the soldier takes out his sword
to complete his murderous mission. Instead, the carpenter and others
set upon the soldier and kill him.
|
| Kaverin, Veniamin A. |
Short Summer Night
(Vorobinaya Noch, 1927).
A cashier gambles away all his money as well as the money of the
cooperative for which he works. Thus shamed, he hits the road, looking
for a life of adventure. He ends up naked in a provincial town, fleeing
from a stone-throwing mob. He commits suicide by jumping from a
bridge.
|
| Kazakov, Yuri P. |
Autumn
(Osen', 1961).
xxx
|
| Kazakov, Yuri P. |
Autumn in Oak Woods
(Osen V Dubovikh Lesakh, 1961).
Lovers are reunited in a small cottage in the woods. They recall past
awkward times in the big city, but their love is confirmed as they take
in the sights and smells of the beautiful forest.
|
| Kazakov, Yuri P. |
Blue and Green
(Goluboye i zelyonoye, 1956).
xxx
|
| Kazakov, Yuri P. |
Boy from the Snow Pit
(Mal'chik iz snezhnoi yamy, 1976).
Tale about the German artist Tyco Vylke.
|
| Kazakov, Yuri P. |
But We Are Not Strangers
(xxx, 196x).
Set in northern fishing village.
|
| Kazakov, Yuri P. |
Damned North
(Proklyatii sever, 1964).
xxx
|
| Kazakov, Yuri P. |
Easy Life
(xxx, 196x).
A rootless, wandering worker avoids responsibility and is vaguely troubled over his own spiritual emptiness.8
|
| Kazakov, Yuri P. |
Goblins
(Kabiasy, 1960).
The director of a village club, upset with the superstitions of the
people, wants an increase in atheist propaganda. However, during a late
night walk through the woods alone, he himself falls prey to
superstition, thinking that he sees goblins.
|
| Kazakov, Yuri P. |
Going to Town
(xxx, 1963).
A carpenter leaves the country to take his sick wife to Moscow. He is
sure she will die there and hopes she will, for he has long since
stopped caring for her and she has prevented his settling in the city.
He drops her off at the hospital and goes to a restaurant where he
drinks beer and watches the trains go by, while "a waitress in a white
apron and cap will wait on him, the orchestra will play, and there will
be the smell of food and the smoke of good cigarettes."
|
| Kazakov, Yuri P. |
Hunting
(Na okhote, 1956).
xxx
|
| Kazakov, Yuri P. |
I Cry and Sob
(Plachy i rydaiu, 1963).
xxx
|
| Kazakov, Yuri P. |
Little Candle
(Svechehka, 1973).
xxx
|
| Kazakov, Yuri P. |
Lodging for the Night
(Nochleg, 1963).
xxx
|
| Kazakov, Yuri P. |
Manka
(Manka, 196x).
A 17-year-old girl is bewildered and ambivalent in her first encounter with a sexually aroused man.8
|
| Kazakov, Yuri P. |
Nestor and Kir
(Nestor i Kir, 1961).
Story about the life of fishermen in a northern fishing village.
|
| Kazakov, Yuri P. |
Night
(Noch', 1955).
xxx
|
| Kazakov, Yuri P. |
Nikishkin's Secrets
(xxx, 196x).
Set in northern fishing village.
|
| Kazakov, Yuri P. |
Old Men
(xxx, 196x).
xxx
|
| Kazakov, Yuri P. |
On the Island
(xxx, 196x).
A reasonably happily married man, searching for a perpetual state of
romantic love, has a brief affair with an unmarried girl, knowing all
along that his quest is impossible.8
|
| Kazakov, Yuri P. |
On the Road
(Po doroge, 1960).
xxx
|
| Kazantsev, Aleksandr |
Visitor From Outer Space
(xxx, 19xx).
A scientist puts forth his theory that the great Tunguska crater in
Siberia was formed as the result of the explosion of a Martian space
ship which had come to Earth for water desparately needed by the Red
Planet.
|
| Kekketyn, Ketsai |
Khoyalkhot
(Khoyalkhot, 19xx).
xxx. (In the Koryak language.)
|
| Keshishian, G. |
World in the Mirror
(Ashkharhe Hayelu Mej, 1979).
Story about one day in the life of a taxi driver who is ready to share the troubles of his passengers. (Armenian)
|
| Ketlinskaya, Vera |
Courage
(xxx, 19xx).
Dramatic novel about the pioneers who built the town of Komsomolsk-on-Amur.
|
| Khalafian, Z. |
Mulberry
(Tteni, 1979).
Two families live next to each other. Only the mulberry tree unites and
at the same time separates their houses. The tree is the source of their
joys and disorders. (Armenian)
|
| Khalov, Pavel |
Bearing 307
(xxx, 19xx).
About the life of Far-Eastern fishermen.
|
| Khalov, Pavel |
Calling All Ships
(xxx, 19xx).
About the life of Far-Eastern fishermen.
|
| Khansadian, S. |
Mkhitar Sparapet
(xxx, 1978?).
Historical novel about David Bek and Mkhitar Sparapet, leaders of an 18th century Armenian liberation movement. (Armenian)
|
| Kharms, Daniil |
Elizaveta Bam
(Elizaveta Bam, 1927).
An absurdist play in which Elizaveta Bam is pursued by two police agents
determined to arrest her for a crime no one can name. Absurdist antics
and banter ensue. ("When buying a bird, first examine its teeth." "My
feet are like cucumbers.") Ms. Bam's father undertakes a battle of the
bogatyrs, a war of words with one of the police agents and kills him.
Absurdly, the agent returns to life and, dressed as a fire fighter,
comes to arrest Elizaveta for his murder.
|
| Kharms, Daniil |
Ivan Ivanych Samovar
(Ivan Ivanych Samovar, 1928).
A friendly samovar dispenses tea. Late risers, however, are in for a surprise. A children's poem. (Click here for complete text.)
|
| Kharms, Daniil |
Pushkin and Gogol
(Pushkin i Gogol, 192x).
Pushkin and Gogol are falling all over each other. A short play. (Click here for complete text.)
|
| Khodzher, Grigori |
Lake Emoron
(xxx, 19xx).
In the Nanai language.
|
| Khodzher, Grigori |
Seagulls Gather Over the Sea
(xxx, 19xx).
In the Nanai language.
|
| Kholopov, Georgi |
Stories of the War
(xxx, 19xx).
xxx.
|
| Kim, Anatolii |
Eglantine of Myoko
(Shipovnik Myoko, 1976).
Recounts the sacrifices of a girl on Sakhalin who is berated by her
family and community for having become pregnant and jeopardized the
boy's future. They marry. She works hard to support her son and send
money to her husband, who is off in Leningrad studying. She dies, and
only years later does her husband realize her true character and value.1
|
| Kim, Anatolii |
Father Forest
(Otets les, 1989).
A forest spirit decides to periodically inhabit the souls of individual
men to study the different between men and trees. After experiencing
mankind's wars, Gulags, and irresponsible treatment of the environment,
the spirit decides that humans are stupidly and unnecessarily cruel and
self-destructive and that the main motive of the human race is suicide.1
|
| Kim, Anatolii |
Link of Tenderness
(Zveno nezhnosti, 1976).
A personal meditation involving a supernatural family legend, boyhood memories, the nature and folklore of the Far East.1
|
| Kim, Anatolii |
Lotus
(Lotos, 1980).
After an absence of 16 years, an artist returns to Sakhalin, where his
mother is dying. He feels remorse over his neglect of her, and cuts and
orange into the shape of a lotus for her.1
|
| Kim, Anatolii |
Smile of the Vixen
(Ulibka lisitsy, 1976).
A young man, returned on vacation from his studies in Leningrad, goes
drinking with village friends and listens with urban disdain to their
ghost stories. On the way home, he is confronted by a fox who weirdly
grins at him.1
|
| Kim, Anatolii |
Squirrel
(Belka, 1984).
Supernatural part-animal, part-human creatures engage in a conspiracy to
destroy all of mankind's loftier impulses--artistic creativity,
morality, idealism, etc.1
|
| Krymov, Yuri S. |
The Tanker "Derbent"
(Tanker "Derbent", 1938).
A rag-tag crew of riff-raff and misfits is assigned to a new oil tanker.
They are undisciplined and uncaring, and their ship has one of the
worst records in the fleet. But then, led by the example of an
"ordinary" Communist, the crew gets swept up in the excitement of the
Stakhanovite movement and completely transform themselves. Not only do
they become the most efficient crew in the fleet, but they also show
personal bravery, undertaking a dangerous rescue of another crew from a
disabled and burning tanker in the middle of a fierce gale. Along the
way--just like the real Stakhanov--they have to battle entrenched
unimaginative administrators afraid of anything new. And although
spending months at sea at a time takes a great personal toll on the hero
of the work, in the end, the sanctity of marriage wins out. (Click here for detailed summary.)
|
| Kungurov, Gavriil |
Natasha Bruskova
(Natasha Bruskova, 196x ?).
Siberian novel about young specialists just entering life and by their
devoted work winning their right to be called true Soviet citizens.
|
| Kuraev, Mikhail |
Captain Dikshtein
(Kapitan Dikshtein, 1987).
A sailor who took part in the Kronstadt uprising of 1921 protects
himself from retribution by assuming the identity of another sailor who
was executed during the rebellion. He lives a mundane life, supporting
himself with petty jobs like raising rabbits until he dies of a heart
attack in the 1960s. The work expresses sympathy for the Kronstadt
rebellion, at odds with the official interpretation.1
|
| Kuraev, Mikhail |
Night Watch
(Nochnoi dozor, 1988).
The reminiscences of an NKVD-KGB operative who has retired after 40
years of service. He speaks proudly of his work--surveillance,
interrogations, burial of executed prisoners--and of the many
interesting prisoners (especially intellectuals) he had the privilege of
interrogating. The beauty of Petersburb/Leningrad also contrasted with
its brutal history, extending from Peter the Great to Stalin.1
|
| Kurchatkin, Anatolii |
Gasification
(Gazifikatskya, 1981).
A rather selfish and preoccupied young man in Moscow neglects his physiciall mother, who is living frugally in a poselok.
After his mother's death, the man finds trunks of papers that document
her death from 1917 on. This sparks an interest in his mother's life
and in his family history in general.1
|
| Kurchatkin, Anatolii |
Guillotine
(xxx, 19xx).
A depressed man, after several attempts at suicide, stubles upon an
Institute of Quick and Easy Death, where they mercifully decapitate him.1
|
| Kurchatkin, Anatolii |
Maze, The
(xxx, 19xx).
An unnamed and unidentified narrator spends his life from young manhood
to old age trying to work his way out of an impossibly flexible,
semi-animated labyrinth of brick walls.1
|
| Kurchatkin, Anatolii |
Notes of an Extremist: The Construction of a Subway in our City
(Zapiski ekstremista: stroitel'stvo metro v mashem gorode, 1990).
Idealistic college students want to build a subway and donate it to the
city. The local authorities persecute the students so severely, that
the go underground, building an entire subterranean community--with
factories, farms, schools hospitals, etc.--so they can continue their
work. Subway construction takes an entire generation, during which time
the underground society becomes totalitarian, with coercion and thought
control. When the subway is completed, and the undergrounders emerge,
they discover that the above-ground society has wonderful mass
transportation, and the subway is useless. Most of the underground
founders have nervous breakdowns, and many commit suicide.1
|
| Kurchatkin, Anatolii |
Owner of a Cooperative Apartment
(Khozyaika kooperativnoi kvartiry, 1978).
A woman worker in a fur factory deals in winter hats she has stolen from
work. In various other ways, she shows herself to be a completely
shallow, vulgar, dishonest individual, well equipped for survival in a
corrupt society.1
|
| Kuusberg, P. |
How Do You Know that Robert Viyrpuu is Dead?
(xxx, 1967).
Story. (Estonian
|
| Kuznetsova, Agnia |
Komsomol's Word of Honor
(xxx, 196x ?).
Story about a Siberian Komsomol.
|
| Kuznetsova, Agnia |
Your Home
(xxx, 196x ?).
Story about a Siberian Komsomol.
|
| Latynin, Leonid |
Face-maker and the Muse, The
(Grimer i muza, 1977 - 1978).
In a vauge, unidentified city, plastic surgeons work to reshape the
inhabitants' faces to conform to an ideal image. This ideal keeps
changing, so inhabitants have their faces reworked numerous times.
Unruliness, nonconformity, and an unacceptable visage are all punishable
by death. One plastic surgeon, happy and proud of his work,
nonetheless gets ensnared in intrigue in the higher echelons of society.1
|
| Latynin, Leonid |
Sleeper at Harvest Time
(Spyashchii vo vremya zhatvy, 1991).
A time traveler named Emelya, born in the tenth century in a tribal
settlement on the site of the future Kremlin, is the son of a pagan
priestess and a bear. In 21st-century Moscow, when it is discovered
that Emelya has bear in his blood, he is stoned to death. He dies
happy, knowing that he is being sacrifices for the good of society. His
mother, a thousand years ago, also was sacrificed for the good of the
tribe.1
|
| Lavrenyov, Boris A. |
Commendant Pushkin
(xxx, 1927).
A sailor named Aleksandr Semyonovich Pushkin is placed in charge of the
defense of Detskoye Selo, where, of course, the great poet Aleksandr
Sergeevich Pushkin spent much of his time. Commendant Pushkin, just
barely literate, knows nothing of the great poet, but others teach him
and he comes to love the poet and his poetry. He successfuly defends
the town against a White onslaught, but is shot and killed in battle.
He dies, quoting the poet.
|
| Lavrenyov, Boris A. |
Count Puzyrkin
(Graf Puzyrin, 1926).
During the Civil War in Ukraine, a Red Army regiment picks up a
countess, who was lying wounded on the side of the road. The regiment's
uneducated peasant cook, Puzyrkin, falls in love with the countess,
and--dreaming of raising educated children-- he proposes to her. The
countess, offended, rejects him and ends up running off with some snooty
adjutant. Unable to endure the shattering of his dreams, Puzyrkin
kills himself. Years later, this same ex-countess is seen haughtily
doing the foxtrot in a fashionable restaurant.
|
| Lavrenyov, Boris A. |
Fall of the Republic of Itl
(Krusheniye Respubliki Itl, 1926).
A satire describing a fictional foreign intervention in southern Russia
and the establishment there of a so-called democratic republic with the
help of "Nautilia", an obvious reference to England.
|
| Lavrenyov, Boris A. |
Forty-First
(Sorok-Pervii, 1924).
The daughter of a Volga fisherman becomes a sniper with a Red partisan
detachment. She misses her 41st vicitim (a White officer), then winds
up stranded with him on a desert island, where they fall in love.
However, the White's essentially selfish, bourgeois nature becomes
apparent and she shoots him, fulfilling her mission and her class
destiny. (Click here for detailed summary.)
|
| Lavrenyov, Boris A. |
Revolt
(Myatezh, 1925).
A play concerning an attempted counterrevolutionary uprising in Turkestan.
|
| Lavrenyov, Boris A. |
Seventh Satellite
(Sedmoi Sputnik, 1927).
An old White General is arrested in 1918 and eventually released,
reduced to taking a job as a laundryman. His sympathies change and he
joins the Red Army. He is captured by Whites and shot.
|
| Libedinsky, Yuri N. |
Week
(Nedelya, 1922).
A story of a peasant revolt in a remote town in the Urals. Individual
Communists are shown as imperfect, with doubts and contradictions. Some
are mere self-servers. Contractions between the Party and the peasants
as well as many of the failings of the Party are frankly presented. In
the end, the revolt is put down, but most of the leading Communists are
brutally murdered. (Click here for detailed summary.)
|
| Lidin, Vladimir |
Great or Quiet
(Veliki ili tikhi, 1932).
Story of the construction of a hunting and fishing collective in far eastern Russia.
|
| Lidin, Vladimir |
Renegade, The
(Otstupnik, 1928).
A student is involved in a murder and passes through a series of moral
trials. In the end, when he decides to confess his part, he realizes
the beauty of life, toil, and love.
|
| Lipatov, Vil |
Deep Stream
(xxx, 1960 ?).
Siberian novel.
|
| Loginov-Lesnyak, P. S. |
Antonovka
(Antonovka, 1925).
Short Story.
|
| Loginov-Lesnyak, P. S. |
At the Waystation
(Na peregone, 1925).
Short Story.
|
| Loginov-Lesnyak, P. S. |
Bitter Rowan-berry
(Gor'kaya ryabina, 1937).
Povest.
|
| Loginov-Lesnyak, P. S. |
Bronze Helmet
(Mednaya kaska, 1926).
Short Story.
|
| Loginov-Lesnyak, P. S. |
Daughter of the Land
(Doch' zemli, 1925).
Short story.
|
| Loginov-Lesnyak, P. S. |
In the Wilds
(V glushi, 1927).
Short Story.
|
| Malyshkin, Aleksandr G. |
February Snow
(Fevral'slii sneg, 1927).
Historical fiction on the Februrary Revolution.3
|
| Malyshkin, Aleksandr G. |
Sevastopol
(Sevastopol, 1929).
In the Black Sea fleet, a sailor from the intelligentsia, after some
struggles, comes to accept the Revolution and his place as just another
one of the masses.
|
| Marcinkevicius, Justinas |
Pinetree that Laughed
(Pusis, kuri juokesi, 1961).
Lithuanian novel.
|
| Markov, Georgi M. |
Salt of the Earth
(xxx, 19xx).
xxx.
|
| Markov, Georgi M. |
Siberia
(Sibir, 1973).
A sweeping epic of love, revolution, and nature set in the snow-swept
expanse of Siberia. Bolsheviks, kulaks, Social Revolutionaries, honest
hard-working peasants, and giant fish-creatures of legend all clash as
tsarism crumbles. (Click here for detailed summary.)
|
| Markov, Georgi M. |
Strogovs, The
(Strogovi, 19xx).
Chronicles the adjustments of Siberian peasants to the new Soviet power.
|
| Matevossian, H. |
Autumn Sun
(Ashnan Areve, 1977).
The story of the life of a village woman with a complex and
contradictory character and about her difficult relationship with her
husband and sons. (Armenian)
|
| Mayakovsky, Vladimir V. |
Bedbug, The
(Klop, 1929).
A philistine from the NEP era gets accidentally frozen and is revived
fifty years later in 1979. The moderns at first mistake him for an
honest worker, but then correctly identify him as a bourgeoisus
vulgaris, a blood-sucking insect similar to, but more dangerous than,
the bedbug. He is put on display in a cage equipped with special
filters to trap all the dirty words. (Click here for detailed summary.)
|
| Melezh, Ivan |
People of the Swamps
(xxx, 19xx).
xxx.
|
| Merilaas, K. |
Several Sunny Days on the Paths of Childhood
(xxx, 1967).
Story. (Estonian)
|
| Mikhalkov, Sergei |
I Want To Go Home
(Ya Khochu Domoi, 1948).
In Germany following World War II, the evil British keep displaced
Soviet children captive in their sector, lying about their existence and
refusing to allow them to go home. They plan to turn the children into
wage slaves and future spies. They resort even to murder in an attempt
to keep their secrets hidden. Also, honest Germans, driven into
poverty and despair by the bullying, land-grabbing, capitalist
monopolist Americans, flee to freedom in the Soviet sector. (Click here for detailed summary.)
|
| Mikhalkov, Sergei |
Ilya Golovin
(Ilya Golovin, 1949).
Play about the rise, fall, and regeneration of a Soviet composer.
Somewhat based on the stories of Shostakovich and Prokofiev, it tells of
a composer who comes to fame and privilege, but then drifts off into
"imcomprehensible and formalist" music. Pravda of course condemns him
for this, while Voice of America sings his praises. A friend of the
composer, a Red Army general, advises him to once again write music for
the masses. The composer repents and takes his friend's advice. He
again becomes a fighter for peace and ends the play with adulations of
Stalin. Stalin Prize winner, 1949.
|
| Mozhaev, Boris |
From the Life of Fyodor Kuzkin
(Iz zhizni Fedora Kuzkina, 1966).
Story describing the battles of one stubbornly courageous and
resourceful peasant against stupid and often vicious political
authorities in the mid-1950s.1
|
| Mozhaev, Boris |
Peasant Men and Women
(Muzhiki i baby, 1976 - 1987).
Two volume portrayal of peasant life before and after collectivization.
In the first volume, pre-collectivized life is seen as generally
positive. Volume two presents collectivization as an onslaught against
the positive peasant heritage and a grave political error committed by
drunken Party activists and corrupt bureaucrats.1
|
| Muguev, Khadzhi-Murat |
Death of Nikola Bunchuk
(Smert' Nikoly Bunchuka, 1927).
A young Cossack--Nikola Bunchuk--in service to the Whites is assigned to
a firing squad executing Red prisoners. Bunchuk's best friend in the
squad lowers his rifle and refuses to fire. He is arrested, and Bunchuk
is assigned to guard him. Instead, Bunchuk frees his friend, and the
two of them flee. Then, trapped between Red and White lines, Bunchuk is
shot and killed. Which side fired the deadly bullet is not known.3
|
| Mustafin, Yamil |
Bridge, The
(xxx, 1986?).
xxx.
|
| Mustafin, Yamil |
Savage
(xxx, 1973?).
A standoffish wild cat named Savage is adapted by a navy lieutenant and
his wife. After a while, the cat becomes attached to the lieutenant.
But when the lieutenant is absent for several weeks, the cat runs away.
The lieutenant returns and searches for the cat, but it refuses to come
back, not wanting to be disappointed a second time.
|
| Nagibin, Yuri M |
Chetunov, Son of Chetunov
(xxx, 19xx).
A cocky young geologist, eager to quickly emulate the fame of his
father, volunteers to get samples from a remote marsh. He gets trapped
and almost bakes to death. He manages, eventually, to save himself and
win his fame, but not before learning a humbling lesson about his own
inadequacies.8
|
| Nagibin, Yuri M. |
Arise and Go
(Vstan I idi, 1987).
Account of the relationship between a son and his father during the
Stalin years. The father--innocent, of course--is arrested and sent to
the prison camps. The boy and his family hide their relationship with
the "criminal" father. Only later does the son, remorseful, understand
the injustice done as well as the courage and fortitude of his father.1
|
| Nagibin, Yuri M. |
Butterflies
(Babochki, 19xx).
A young boy is very excited about his butterfly collection, even though
he has all the names of the various butterflies wrong; this excitement
and fun is crushed, however, when an adult insists on telling the boy
all the correct names.
|
| Nagibin, Yuri M. |
Chase
(xxx, 19xx).
A onoe-legged duck-hunting guide, in a self-imposed test of courage and
stamina, pursued an armed poacher through marshes and dense forest and
finally captures him.8
|
| Nagibin, Yuri M. |
Darkness at the End of the Tunnel
(T'ma v kontse tunnelya, 19xx).
Povest.
|
| Nagibin, Yuri M. |
Downpour
(xxx, 1973?).
A boy on the verge of manhood moves to a new apartment building. He has
one last outing to a park with his old friends. He and one of the
girls are drawn together by a sudden downpour. The romance is nipped in
the bud, however, when the boy learns that his best friend is already
sweet on the girl.
|
| Nagibin, Yuri M. |
Echo
(Ekho, 19xx).
Episode in the lives of a pre-adolescent boy and girl, conveying the
enchantment of a child's world combined with a child's capacity for
selfish and callous behavior.8
|
| Nagibin, Yuri M. |
Friend of the Family
(xxx, 1973?).
The author recalls a garrulous, intellectual, dilettante of an uncle he
had in his childhood. The uncle was popular at parties, but the
author's parents looked down on him as lazy. The boy remembers praying
that he would not grow up to be like his uncle, but later he wished that
he had inherited some of his uncle's light-heartedness.
|
| Nagibin, Yuri M. |
Get Out, We're Here
(Slezai, Priekhali, 1954).
A snooty young agonomist, just graduated from the university, volunteers
for work in the countryside--knowing that she'll lose her Party card
unless she does so. However, she finds conditions on the kolkhozes too
primitive for her tastes and refuses every assignment offered her.
|
| Nagibin, Yuri M. |
Green Bird with a Red Head
(xxx, 1972?).
A father loses faith in his sons who he thinks are obsessing excessively
on some fatasically colored bird they claim to have seen in the nearby
forest. The father, of course, doesn't believe that the bird even
exists. However, one day, the father comes upon the remains of just
such a bird, obviously eaten by a predator--proof that the children were
telling the truth all along.
|
| Nagibin, Yuri M. |
House No. 7
(xxx, 1973?).
The author takes a stroll down memory lane, visiting a house that made him happy in his childhood.
|
| Nagibin, Yuri M. |
Into Those Young Years
(V te iunye gody, 19xx).
Povest.
|
| Nagibin, Yuri M. |
Khazar Ornament
(xxx, 1956).
Story criticizing the backwardness and neglect of rural areas and the spoliation of their natural resources.8
|
| Nagibin, Yuri M. |
Light In The Window
(Svet v okne, 1956).
A luxurious suite of rooms at a rest home is kept spotlessly clean, but
no one is ever allowed to stay there because the suite is reserved for a
certain big wig if he should ever decide to visit. Two years pass this
way, and the maid in charge of cleaning the suite, insulted by this
great waste, invites some friends to play pool and watch TV in the
suite. The director of the rest home angrily tosses out the
interlopers, even though he secretly agrees with them.
|
| Nagibin, Yuri M. |
Man and a Road
(xxx, 19xx).
A wastrel truckdriver picks up a woman hitchhiker and tries to seduce
her. When she rejects him, he tells her the sad story of his life. She
is unmoved, but the act of telling his story has made the driver change
for the better.8
|
| Nagibin, Yuri M. |
My First and Most Beloved Friend
(xxx, 1973?).
Two boys develop a deep and lasting relationship which carries them
through the usual boyhood and adolescent experiences, adventures, and
the search for identity. They are separated only by war, when one of
them dies. Years later, an accidental visit by the surviving friend to
the battlefield where the other died brings back a whole host of
memories as well as feelings of guilt for not also dying. (Click here for complete text in English.)
|
| Nagibin, Yuri M. |
My Golden Mother-in-law
(Moya zolotaya tyoshcha, 19xx).
Povest.
|
| Nagibin, Yuri M. |
Outsider, The
(xxx, 1977).
The visit of a famous film director to a Siberian factory town is the
occasion for two old friends to get together again. Unfortunately, one
of the friends has divorced his enormously lovable and popular wife of
long-standing and married a dry, reserved type. It is hard for everyone
to get used to this new outsider.
|
| Nagibin, Yuri M. |
School Album
(Shkol'nii al'bom, 19xx).
Povest.
|
| Nagibin, Yuri M. |
There Were Four Of Us
(Nas Bylo Chetvero, 1945).
Four young boys play at being Musketeers. They then change their play
to "Red Guards" and they organize the "liberation" of a local pond from
some bullies, making it safe for children from throughout the region to
swim and fish there. The boys grow up and fight for real in the Great
Patriotic War.
|
| Nagibin, Yuri M. |
Vaganov
(Vaganov, 1944).
During the Great Patriotic War, an orphan boy joins up with the Red
Army. He becomes a brave warrior and energetic dancer. The girls like
him, but he vows no sex until Victory Day. Unfortunately, he gets
squashed by a Nazi tank before then.
|
| Nagibin, Yuri M. |
Whip
(xxx, 1941).
A 10-year-old city boy comes to visit a village. Feeling awkward and
weak, he gets hold of a whip, thinking that with it he will be able to
control this strange rural world. As he snaps the whip, he accidentally
kills a white cock. The boy, feeling sorry for the poor bird, bursts
into tears.
|
| Nagibin, Yuri M. |
Winter Oak
(Zimnii Dub, 1953).
In winter, a village boy is constantly late for school because he is
always stopping to admire and observe a majestic oak tree and the many
animals living in and around it. The teacher is angry, until she meets
the oak tree herself. She, too, is enchanted by it and stops
complaining.
|
| Nekrasov, Viktor |
Private Liutikov
(Ryadavoi Liutikov, 1950).
An apparently weak, malingering, useless soldier astounds his comrades by volunteering for a suicidal mission and dying a hero.8
|
| Nekrasov, Viktor |
Senka
(Senka, 1950).
Story examining the cowardice of a young soldier in his first engagement, its psychological origins, and its cure.8
|
| Nekrasov, Viktor |
Story Strange to the Highest Degree
(xxx, 196x).
A man edits a candid-camera-style film on Italy. Strangely, over time,
characters in the film do completely different things and disappear
altogether.8
|
| Nekrasov, Viktor |
Vasya Konakov
(Vasya Konakov, 1961).
Story.
|
| Neverov, Aleksandr |
A Bug, Winning His Freedom
(Zhuk, Poluchivshii Svobody, 1922).
A fly, trapped in a room, repeatedly bangs its head against the upper
glass of a window trying to escape. The lower part of the window is
open, but the bug doesn't see this. Frustrated with the bug's
foolishness, a man finally grabs the bug and hurls it out the window to
its freedom.
|
| Neverov, Aleksandr |
Happiness
(Schastye, 1922).
A man tries to find happiness in personal possessions--a gramophone, a
bed, a pig. But everything disappoints him and, in the end, he dies
quietly.
|
| Neverov, Aleksandr |
Love
(Liubov, 1922).
A flower declares its love for a butterfly, but is rejected.
|
| Neverov, Aleksandr |
Marya the Bolshevik
(xxx, 1923).
Women's liberation comes to a post-revolutionary Russian village. (Click here for detailed summary.)
|
| Neverov, Aleksandr |
Sparrow
(Vorobei, 1922).
A sparrow, dissatisfied with its life, wants to become a falcon, but
then is frightened to learn that while a sparrow may be hunted by a cat,
falcons are pursued by thousands of hunters.
|
| Neverov, Aleksandr |
Tashkent, City of Bread
(Tashkent, Khlebnii Gorod, 1923).
A village boy sets out on a long and perilous journey to find food for
his ailing mother. Chaos, revolution, civil war, famine, death,
tragedy, and comedy all intermingle.
|
| Okudzhava, Bulat |
Poor Avrosimov
(Bednii Avrosimov, 1978).
Novel spun around the trial of Pavel Pestel, a leader of the 1825 Decembrist revolt. 1
|
| Olesha, Yuri K. |
Cherry Seed, The
(Vishnyovaya Kostochka, 1929).
A dreamer spends most of his time in the invisible world of his
imagination. He falls in love with a real woman, who does not return
his love. She gives him a cheery seed, which he plants in a vacant lot,
hoping that a cherry tree will grow to stand as the child of their
love. However, it turns out that the spot where he planted the seed is
scheduled to be the construction site for a new concrete giant called
for by the Five Year Plan. Nonetheless, the dreamer imagines that the
cherry tree will grow as part of a garden in front of the building. (Click here for complete text of story in English.)
|
| Olesha, Yuri K. |
Envy
(Zavist, 1927).
Andrei Babichev, a respected and successful hero of the Soviet food
industry, takes in Nikolai Kavalerov, an aimless drifter, and tries to
help him. Kavalerov--irresponsible, self-centered and deluded about his
own worth--dreams of personal glory and soon comes to envy and despise
his host. Kavalerov joins up with Andrei's brother, Ivan, who claims to
have created an "Ophelia machine" to annihilate his enemies. Together,
Kavalerov and Ivan cook up a "conspiracy of feelings" to spit in the
face of the new era. Kavalerov even plots the murder of Babichev. It
all comes to nothing and, in the end, Ivan and Kavalerov settle into a
life of indifference, sharing the bed and embraces of the same fat,
middle-aged widow. (Click here for detailed summary.)
|
| Olesha, Yuri K. |
Liompa
(Liompa, 1927).
As an old man lies dying, things, no longer necessary to him, desert
him, leaving behind only their names to pester his brain. Meanwhile,
children wander around exploring all sorts of new things which roll to
them, their names unknown. The old man knows that he will die when he
can find the name of the rat that is scurrying around in the kitchen,
and that name is "Liompa".
|
| Olesha, Yuri K. |
Natasha
(Natasha, 1936).
To hide from her father the fact that she's an amateur parachutist, a
young girl pretends that she's always rushing off for a date with a man.
The father knows the truth, however, and the veneer of secrecy is
removed when the girl injures her leg in a landing.
|
| Olesha, Yuri K. |
Three Fat Men
(Tri Tolstyaka, 1924).
A fantastic fairy tale of revolution. A tightrope walker, balloons, very
large pastries and a brave little girl help topple the dictatorship of
some very fat men. (Click here for detailed summary.)
|
| Orlov, Vladimir |
Danilov the Violinist
(Al'tist Danilov, 1980).
A half-man, half-devil is commissioned by the netherworld to make
mischief among mankind--earthquakes, avalanches, divorces, etc. His
human side much prefers his job as an orchestra violinist, so he is
inefficient and behind schedule in his trouble-making. The devils bring
him to trial, but let him off, allowing him to live out his life on
earth.1
|
| Ostrovsky, Nikolai |
How The Steel Was Tempered
(Kak Zakalyalac Stal, 1935).
The story of a young Communist. His childhood in a working-class
family, his part in the Civil War, and in the subsequent reconstruction.
|
| Panfyorov, Fyodor V. |
Bruski: A Story of Peasant Life in Soviet Russia
(xxx, 1928 - 1937).
Following the Revolution, some poor peasants seize an estate called
Bruski from a kulak. Eventually they learn that salvation for the
peasant lies in doing away with individual ownership of land and
organizing a collective. Originally, it was well received, but later
criticized by Gorky for lacking in artistic craftsmanship.
|
| Panfyorov, Fyodor V. |
In The Land Of The Vanquished
(V Strane Poverzhennykh, 1948).
A young and beautiful Soviet woman engages in diversionary work among the Germans during World War II.
|
| Paustovsky, Konstantin |
Crossing Ships
(xxx, 1928).
Short story.
|
| Paustovsky, Konstantin |
Distant Youth
(xxx, 1946).
First part of Paustovsky's autobiography.
|
| Paustovsky, Konstantin |
Golden Rose
(xxx, 1955).
Story about literature in the making. It consists of stories and
fragments dealing with creativity, the role of the writer, and the
function of literature.4
|
| Paustovsky, Konstantin |
Kara-Bugaz
(Kara-Bugaz, 1932).
Tale of adventure and exploration around and near the Kara-Bugaz Bay,
where the air is mysteriously heavy. Moves from 1847 to the Civil War
period when a group of Reds are abandoned to near-certain death on a
desolate island. Survivors are rescued by an explorer. The
exploration, development and study of the natural wealth of the region
continues.
|
| Paustovsky, Konstantin |
Kolkhida
(Kolkhida, 1934).
Historical adventure novel on the theme of industrialization and the building of Communism.4
|
| Paustovsky, Konstantin |
Labels for Colonial Goods
(xxx, 19xx).
Romantic short story.
|
| Paustovsky, Konstantin |
Merhchersakaya storona
(Meshcherskaya storona, 1939).
Story focusing on Russian nature.
|
| Paustovsky, Konstantin |
Minetoza
(Minetoza, 1927).
xxx.
|
| Paustovsky, Konstantin |
Precious Dust
(xxx, 1955).
A refuse collector spends two years gathering the grains of gold dust
from the trash bins of a jewelry shop. When he has enough gold, he
smelts it into a beautiful golden rose as a gift for the woman she
loves. But, by then, she has moved to America and left no forwarding
address. From "The Golden Rose".
|
| Paustovsky, Konstantin |
Rainy Dawn
(xxx, 1946).
Short story.
|
| Paustovsky, Konstantin |
Sea Sketches
(Morskiye nabroski, 1925).
Paustovsky's first collection of stories.
|
| Paustovsky, Konstantin |
Shining Clouds
(Blistaiushchieye oblaka, 1929).
Romantic novel.
|
| Paustovsky, Konstantin |
Smoke of the Fatherland
(xxx, 1944).
Novel telling the story of the Russian intelligentisa on the eve of the war.4
|
| Paustovsky, Konstantin |
Snow
(Snyeg, 19xx).
New acquaintances, snow, and memories--real and imagined. (Click here for detailed summary.)
|
| Paustovsky, Konstantin |
Steel Ring
(xxx, 19xx).
An old soldier makes a girl a gift of a magical ring. She loses the
ring in the snow, but when the snow begins to melt she finds it and she
hears the magical sounds of nature and of spring itself walking by. (Click here for complete translated text.)
|
| Paustovsky, Konstantin |
Story of a Life
(Povest o Zhizni, 1945 - 1963).
Paustovsky's lyrical six-part autobiography covering over a half century of his life.
|
| Paustovsky, Konstantin |
Summer Days
(Letniye dni, 1937).
Story focusing on Russian nature.
|
| Paustovsky, Konstantin |
Tale of the North
(Severnaya Povest, 1938).
Following the anti-Tsarist Decembrist uprising in Petersburg, a wounded
officer who took part in the uprising and a sailor try to make it by
foot across the ice to Sweden. They are captured amid a series of
dramatic events. Years later, in Leningrad of the 1930s, the
great-grandsons of the participants in the events unexpectedly meet.
|
| Paustovsky, Konstantin |
Tale of the Woods
(xxx, 1948).
In a remote forest, the composer Tchaikovsky is working on a symphony,
and the young daughter of the forester brings him berries. Years later,
during World War II, the daughter of that girl is a laboratory
technician at the forest station in that same forest.
|
| Paustovsky, Konstantin |
Telegram
(xxx, 19xx).
The aged daugher of a famous artist recalls a journey with her father to Paris and Victor Hugo's funeral, which they attended.
|
| Pavlenko, Pyotr A. |
Barricades
(Barrikady, 1932).
Short historical novel about the Paris Commune of 1870.
|
| Pavlenko, Pyotr A. |
Happiness
(Schastye, 1947).
As the Great Patriotic War comes to an end, a four-time wounded Army
officer, with a wooden leg, comes to the devastated Crimea, hoping to
settle down to a quiet and peaceful life. Instead, he finds happiness
in working to inspire the locals and rebuild the smashed economy. He
also plays a peripheral part in the Yalta Conference among Stalin,
Roosevelt, and Churchill, getting to meet Comrade Stalin himself.
Roosevelt is portrayed sympathetically; Churchill is shown to be a fat,
drunken pig. U.S. Army officers are more interested in selling soap
than in defeating the enemy. Stalin Prize winner, 1947. (Click here for detailed summary.)
|
| Pavlenko, Pyotr A. |
In The East
(Na Vostoke, 1936).
Chronicles the adventures and enthusiasm of ordinary Soviets building
new cities in the far eastern reaches of wildest Siberia. The area also
prepares for war, and, sure enough, Japan starts one. But the Soviet
Union bombs Tokyo, sinks the Japanese fleet with its submarines, and
stops a Japanese attack with a new secret weapon.
|
| Permitin, Efim |
Mountain Eagles
(xxx, 19xx).
Siberian novel.
|
| Petrossian, V. |
Mother's House
(Mor Tune, 1978).
A man, who has not visited his native town for a long time already,
arrives here to visit his mother. He can't find her for a long time, as
many people need her help. (Armenian)
|
| Pikul, Valentin S. |
Hard Labor
(Katorga, 19xx).
Novel about a little-known historical episode--the defense of the island
of Sakhalin against Japanese interventionist forces in 1905. The
defense was taken on mainly by prisoners from hard labor camps.
|
| Pikul, Valentin S. |
Paris At Three O'Clock
(Parizh na Tri Chasa, 19xx).
Tale of a bold plan by the French general Malle to attempt the overthrow
of imperial power in Paris in 1812 following the rout of Napoleon's
army in Russia.
|
| Pikul, Valentin S. |
To Each His Own
(Kazhdomu Svoe, 19xx).
The fate of the French Republican general Moro and his attempt to disrupt the ambitions dictatorial schemes of Napoleon.
|
| Pilnyak, Boris |
Alone
(Odno, 1917).
A man's unfaithful wife and her lover conspire to deprive him of his daughter.5
|
| Pilnyak, Boris |
Along the Old Road
(Po staromu traktu, 1918).
An old, impoverished prince lives alone on his estate, surviving by
collecting fees from black marketeers who travel along an old road
crossing his property. He is confused when hearing news of the tsar's
abdication.5
|
| Pilnyak, Boris |
At Nikola on the White Springs
(U Nikoly, chto na Belykh Kolodeziakh, 1919).
An anarchist commune breaks up following a deadly gun-battle among
members, arguing over the distribution of confiscated property.5
|
| Pilnyak, Boris |
Big Heart
(Bol'shoye serdtse, 1926 pub. 1927).
English capitalists try to subdue the "savage" Mongols. But a "primitive" chieftain terrifies them into fleeing.5
|
| Pilnyak, Boris |
Birth of Man
(Rozhdeniye cheloveka, 1934 pub. 1935).
A devoted communist female lawyer, pregnant, awakens to maternal instincts and develops into a more complete human being.5
|
| Pilnyak, Boris |
Boy From Trally
(Mal, 1926).
Chronicles the author's adventure near Constantinople as she seeks and
finds a boy identical in appearance to the sculptor Miron's
1500-year-old statue.5
|
| Pilnyak, Boris |
Country Roads
(Proselki, 1919 pub. 1920).
Story of three peasant families in rural Russian, living traditionally
and close to nature, contrasted with hungry city dwellers, you show up
looking to barter for food. One of Pilnyak's first �ornamental
stories�
|
| Pilnyak, Boris |
Damp Mother Earth
(Mat' syra-zemlya, 1924 pub. 1925).
A Party worker in the Volga area tries to keep peasants from ravaging
the forest. He is almost killed by the rebellious local village
council. A young woman revolutionary tries to restart a tanning works
in the region. She adopts a young wolf pup, but as it grows up it
becomes more vicious and attacks its benefactress.5
|
| Pilnyak, Boris |
Death Beckons
(Smertelnoye manit, 1918).
Story of a young peasant woman. In her youth, she falls in love with a
boy, but can't marry because her mother confesses that the boy is her
illegitimate son. Eventually she falls in love with another and
marries, but their child dies. The women then goes wandering around
looking for God and death.5
|
| Pilnyak, Boris |
Devils on the Periphery
(Cherti na pereferii, 1929).
Four-act play centered on an accountant who, burdened with a large
family, succeeds in having his city commission declared legal guardians
of his latest child after the commission prevents his wife from having
an abortion. The action then revolves around their clumsy efforts to
raise the child and culminates in the child's tragic death. Co-writen
with Andrei Platonov.
|
| Pilnyak, Boris |
Earth on Her Hands
(Zemlya na rukakh, 1928).
A woman must choose between her loving husband and her first husband, thought dead for 13 years, who suddenly shows up.5
|
| Pilnyak, Boris |
Forest Dacha
(Lesnaya dacha, 1922).
Reworking of the earlier story "Spring Floods" (Polovod'e) with the nobleman recast as a forester.
|
| Pilnyak, Boris |
Gland Slam
(Bol'shoi shlem, 1934).
Story of a bourgeois specialist in the oil industry who--like a birch
tree being bent into an arch--is slowly bent into acceptance of the
Communist scheme of things.5
|
| Pilnyak, Boris |
Heirs
(Nasledniki, 1919).
A family of impoverished aristocrats--malicious, bored, trivial,
superfluous, and alienated from life--gather on an old estate, hording
their jewelry and hoping to hide out until the revolutionary ends.5
|
| Pilnyak, Boris |
His Majesty Kneeb Piter Komandor
(Evo velichestvo Kneeb Piter Komandor, 19xx).
Short story.
|
| Pilnyak, Boris |
Ivan Moscow
(Ivan Moskva, 1927).
The director of a radium factory in distant Komi descends into delirium
and insanity, poisoned both by syphilis and the radioactive mineral he
works with daily. He dies in a plane crash, but nevertheless leaves a
positive legacy in the improvements he made in the life of the Komi.5
|
| Pilnyak, Boris |
Machines and Wolves
(Mashini i volki, 1924 pub. 1925).
"A galaxy of narrative voices, points of view, mannequin characters,
Russian cultural milieus, perspectives on life, ruminations on the
spirit of the changing times, and artistic styles." Basic thesis is
that the old "wolf" Russia (countryside, simplicity, spontaneity,
freedom, poverty, ignorance, and unreliability) must be replaced by the
new "machine" Russia (city, complexity, order, control, wealth,
intelligence, and dependability).5
|
| Pilnyak, Boris |
Mahogany
(Krasnoye derevo, 1929).
NEPmen come to a provincial town looking to buy mahogany furniture from
impoverished townspeople. A Trotskyite also returns to see what has
happened to his home town in that last ten years. He is not happy with
the results he sees. Also wandering around are "fools in communism",
idealistic communists who reject the bureaucratization they see going
on.5
|
| Pilnyak, Boris |
Materials for a Novel
(Materialy k romanu, 1923).
Tale built around sixty years of the inner life of a factory, focusing
mainly on the years 1905 and 1921. Distinction made between the
oppressive machine civilization of capitalism and the liberating machine
civilization of Communism.3
|
| Pilnyak, Boris |
Meat
(Myaso, 1936).
An "industrial novel" co-authored with Sergei Beliaev. It provides a
disconnected, anecdotal, imaginataive history of the meat industry from
the tsars to the present, including comparisons with American experience
and capitalism's role in meat production. Boring.5
|
| Pilnyak, Boris |
Naked Year
(Golii God, 1922).
Rich, polyphonic compendium of language swirled around the skeleton of
the first year of the Revolution. Main theme is that of Europe (order,
intellect, revolutionaries) vs. Asia (chaos, nature, peasants).
|
| Pilnyak, Boris |
Nenashin Side
(Storona nenashinskaya, 1924).
In a provincial town, a land-office foreman accidentally discovers
trunks filled with church valuables hidden in a monestary cellar. He
connives with some NEPmen to sell off the treasures. Quarrels and
bribery ensue. Arrests and executions inevitably follow.5
|
| Pilnyak, Boris |
Nizhegorod Slope
(Nizhegorodskii otkos, 1927).
Story portraying and subtly defending sexual love between a mother and her 16-year-old son.5
|
| Pilnyak, Boris |
O.K.
(O.K., 1932).
Called an "American novel", it is really Pilnyak's travel sketch about
his six month visit to the United States, including his stint as a
screenwriter for MGM. (He resigned when asked to produce anti-Soviet
material.) His impressions of the US were mainly negative, seeing it as
in the clutches of crass materialism.
|
| Pilnyak, Boris |
Old Cheese (aka Ye Olde Cheshire Cheese
(Starii syr, 1923).
Some Russians are living on an anarchist commune on the steppe. The
commune is raided by Kirghiz tribesmen, who kill the men and rape the
women. One of the women becomes pregnant as a result, but she accepts
and loves the child nonetheless. The Kirghiz raiders are swept away by
the Red Army, and the commune again flourishes.5
|
| Pilnyak, Boris |
Old House
(Starii dom, 19xx).
Short story.
|
| Pilnyak, Boris |
Ripening of Fruits
(Sozrevanie plodov, 1935).
A formally complex work about the Palekh master painters. 5
|
| Pilnyak, Boris |
Roots of the Japanese Sun
(Korni yaponskogo solntsa, 1927).
Account of the author's visit to Japan in 1926. Criticized in Pravda for harmful errors, ignoring the class struggle, and playing into the hands of imperialists.5
|
| Pilnyak, Boris |
Salt Barn
(Solyanoi ambar, 1937).
Pilnyak's last novel, focusing mainly on two intellectuals in a
provincial town. They waver and vaccilate, but eventually accept the
Revolution.5
|
| Pilnyak, Boris |
Settlers in Remote Places
(Pereselentsy v glukhikh mestakh, 1936).
A thief, who has been stealing conductors from electrical poles, is
electrocuted when the annoyed electrician purposely leaves the power on.5
|
| Pilnyak, Boris |
Snows
(Snega, 1917).
A continuation of the story begun in "Spring Floods". The main
characters are living happily together when a former love of the
nobelman's returns and tries to persuade him to father her child. He
resists, however, and returns to his wife and child.5
|
| Pilnyak, Boris |
Speranza
(Speranza, 1923).
Life aboard an aging English coal transport ship. It is buffeted by
storms, and the crew is crudely exploited, but still they dream. An
Estonian and a Russian on the ship long to return to the workers
paradise of Russia. 5
|
| Pilnyak, Boris |
Spilled Time
(Rasplesnutoye vremya, 1924 pub. 1926).
"The human mind, like a pitcher of water, just be guarded lest thoughts
spill out.: Autobiographical story describing Pilnyaka's "important"
literary work and two seeminstly "insignificant" episodes, which
nevertheless inspire the writer.5
|
| Pilnyak, Boris |
Spring Floods
(Polovod'e, 1917).
A provincial nobleman, whose wife is frequently absent and unfaithful,
falls in love with a peasant woman, has a child with her, and lives
happily ever after. The nobleman's wife and her lover, however, realize
the barren, trivial nature of their lives. Reworked and republished in
1922 under the title of "Forest Dacha" (Lesnaya dacha).5
|
| Pilnyak, Boris |
Story of Springs and Clay
(Rasskaz o kluchakh i gline, 1926).
Story telling of the return of exiles to the Palestinian homeland.3
|
| Pilnyak, Boris |
Swindlers
(Zhuliki, 1925).
A young agronomist goes to Moscow to finalize her divorce. Along the
way she meets nothing but petty and grotesque swindlers, robbing her of
her optimism and her faith in mankind.
|
| Pilnyak, Boris |
Tale of the Unextinguished Moon
(Povest' nepogashennoi luny, 1926).
Tale of the politically motivated murder of a prominent Communist on the
operating table. Although Pilnyak denied it, everyone assumed it was a
commentary on the death of Frunze under similar circumstances, with a
finger pointed directly at Stalin.
|
| Pilnyak, Boris |
The Volga Falls To The Caspian Sea
(Volga Padaet V Kaspiskoye Morye, 1931).
Sabotage and betrayal on the construction site as true communists struggle to alter nature and establish a new morality. (Click here for detailed summary.)
|
| Pilnyak, Boris |
Things
(Veshchi, 1918 pub. 1922).
A woman, preparing to move, sadly remembers her engagement to a man,
which was broken off 30 years ago. She decides to bring along on her
move several things which she had intended to leave behind, witnesses to
her her life.5
|
| Pilnyak, Boris |
Thousand Years
(Tisyacha let, 1919).
Two Russian noblemen, brothers, have different attitudes abou the
Revolutionary changes. In the end, tradition and nature reassure them.5
|
| Pilnyak, Boris |
Twins
(Dva dvoinika, 1933).
Twin brothers--one, a frivolous artist; the other a serioius
scientist--go on an ill-fated polar expedition. A confused admirer of
the scientist sends him notes, detailing her work in Tadzhikistan. A
combination and reworking or Pilnyak's previous stories "Zavoloche" and
"Ivan Moscow" as well as his travel sketches of Tadzhikistan. "Twins"
was never published during the author's lifetime.5
|
| Pilnyak, Boris |
Without a Name
(Beznazvaniya, 1926).
Set in 1906, a revolutionary couple are assigned to kill a traitor to
the cause. They carry out the assignment, true to their ideals, but
also end up killing their love.5
|
| Platonov, Andrei |
Lenin's Lamp
(xxx, 19xx).
xxx.
|
| Platonov, Andrei |
Moscow Violin
(Moskovskaya skripka, 19xx).
A musician from out of town comes to Moscow and buys a violin at a
bazaar. The violin has a special quality which produces music more
beautiful than the musician himself is capable of creating. The
musician eventually meets the creator of the violin and learns the
scientific secret of restoring harmony to disturbed matter, which in
turn, creates a natural, inner music. Features poetic passages on
teeming Moscow and the open-air bazaar.
|
| Podlyashuk, Pavel |
Tale of the Red Doctor
(Povest' o krasnom doktore, 1967).
Historical novel about Ivan Rusakov, a Bolshevik-doctor, participant in the revolutions of 1905 and 1917.
|
| Pogodin, Nikolai |
Petrarch's Sonnet
(Sonet Petrarki, 1956).
In a Siberian town, a middle-aged married man falls in love with a young
girl from Leningrad who had come to work in their library. Theirs is a
pure, non-physical, Petrarchian love. The girl's roommate, a fanatical
Party girl, denounces the couple. Debate rages as to whether or not
this is any of the Party's business. In the end, the lovers' honor is
vindicatied, and although the girl departs for Leningrad, there is some
indication of a future reunion.9
|
| Pogodin, Radii. |
Who Warmed the Sea
(Kto nagrel morye), 1977?).
A young boy warms up the sea by tossing warm rocks into it...or so he thinks.
|
| Pomerantsev, Vladimir |
On Sincerity in Literature
(Ob iskrennosti v literature, 1953).
The essay that began The Thaw. Appearing in "Novy Mir" in December
1953, it attacked the practice of "varnishing reality" in literature and
the avoidance of distasteful topics. ( Click here to ready the text of this essay in English.)
|
| Pomerantsev, Vladimir |
Used-Book Seller's Daughter
(Doch' bukinista, 1951).
Novel devoted to the conflict of ideas in post-war Germany.4
|
| Popov, Valerii |
Dreams from the Top Berth
(Sny na verkhnei polke, 1987).
A man finds himself unable to complain about the abominable conditions
on a freezing passenger train that is grotesquely mismanaged by its
swindling crew because he obtained his own ticket through somewhat shady
means.1
|
| Popov, Valerii |
New Sheherzade
(Novaya Shekherezade, 1987).
A country girl moves to Leningrad and, as the the years pass, has a
series of colorful and painful experiences. She is both the exploited
and the exploiter; she is involved with numerous men, and moves
frequently up and down the social ladder. But she surives.1
|
| Popov, Valerii |
Superfluous Virtuosity
(Izlishnaya virtuoznost', 1988).
A poet of modest talent scrapes by as a writer of pop-song lyrics.1
|
| Popov, Valerii |
Thirds Shall Be Firsts
(Tret'i budut pervymi, 1988).
A man goes to a resort hotel for a business conference. The rooms are
being torn up for unnecessary "repairs" and the conventioneers are
engaged in a drunken orgy of mythological dimensions.1
|
| Prishvin, Mikhail |
Golden Horn
(xxx, 19xx).
xxx.
|
| Prishvin, Mikhail |
Root of Life
(xxx, 19xx).
xxx.
|
| Pristavkin, Anatoli |
Golden Cloud Spent the Night, A
(Nochevala tuchka zolotaya, 1981, pub. 1987).
The unhappy fate of two orphan boys caught up in the Soviet bureaucracy
as part of the evacuation of European Russia to the Caucasus during the
Great Patriotic War. Other victims are the Chechens, whom Stalin
forcibly deports to Siberia.
|
| Promet, Lilli |
File with Reproductions
(xxx, 1967).
Story. (Estonian)
|
| Proskurin, Pyotr |
The Storm Reveals the Roots
(xxx, 19xx).
Novel about the lumberjacks of the taiga.
|
| Prozorovsky, Lev V. |
Hunting For The Past
(Okhotniki Za Proshlim, 1985).
Chasing a CIA spy with links to the Nazi past through Latvia and Estonia. (Click here for detailed summary.)
|
| Rasputin, Valentin G. |
Farewell to Matyora
(Proshchenie S Materoi, 1976).
As part of a plan for the construction of a new hydroelectric power dam
in Siberia, an island is flooded, bringing to an end the
long-established way of life there.
|
| Rasputin, Valentin G. |
Final Term (aka Borrowed Time)
(Poslednii srok, 1971).
As an old peasant woman lies close to death, her children, who no longer
live in the village, gather, hoping to bury her soon. Being cut off
from the land and nature has made the children callous and uncaring.
|
| Rasputin, Valentin G. |
Fire
(Pozhar, 1985).
Resettled peasants, whose island was drowned (similar to the island in
"Farewell to Matryona") live in a settlement and work as loggers. Torn
form the land, the peasants have become a soulless mob. Because of
their disunity and lack of preparation, the warehouse containing all
consumer goods burns down. Drunken looting and even murder ensues.
|
| Rasputin, Valentin G. |
Live and Remember
(Zhivi i pomni, 1974).
A front-line deserter, hiding out near his native village, descends into
viciousness and inhumanity. His wife helps him hide, but becomes
distraught because of fear and her husband's psychological abuse. In
the end, she flings herself and her unborn child into the river to end
her suffering.
|
| Rasputin, Valentin G. |
Money for Maria
(Dengi dlya Marii, 1967).
A simple, honest peasant woman is put in charge of the village store.
An inventory reveals a shortage and--although the woman is
guiltless--she faces prison if she doesn't make up the shortfall. So
her husband sets out to borrow 1,000 rubles from friends and relatives.
He has mixed success.
|
| Rekemchuk, Aleksandr E. |
Boys (aka "Boys Who Did A-Singing Go")
(Malchiki, 1971).
A novel about the Boys' Choir of Moscow. It details the lives of the
boys, how they are introduced to music, and choose their paths in life.
It is also a story about Moscow, since that is where the boys first
come in contact with adult life, have their first failures and triumphs.
The story revolves mainly about a boy named Zhenya. In the course of
his work, his voice is damaged, but he meets this challenge nobly,
finishes his studies and enters the conservatory's composition faculty
|
| Rekemchuk, Aleksandr E. |
Callow Youth
(Molodo-Zeleno, 1962).
Workers run out of bricks at a remote Siberian construction site. A
young worker named Nikolai is dispatched to a nearby town to demand
bricks. He quickly succeeds in his mission and stays on in town to help
convert the brick factory to new technology. A friend narrowly avoids
involvement in a shady money-making scheme; a flood damages only private
homes, not state-run housing; Nikolai gets a kiss; repressed Old
Bolsheviks live happily ever after; and, inspired by Yuri Gagarin's
success, practically everyone volunteers to go to the moon. (Click here for detailed summary.)
|
| Rekemchuk, Aleksandr E. |
Shores
(Berega, 1958).
A dentist, a lecturer, and a cinema operator take a trip along the river
Yuva, enjoying the beautiful scenery, visiting the taiga settlements,
meeting and getting to know the happy, good-natured, and cheerful
locals.
|
| Rekemchuk, Aleksandr E. |
Summer Holiday Time
(Vremya Letnykh Otpuskov, 1959).
In the far north, an engineer-geologist named Svetlana, dreaming of the
warm seas of the south, is just about to set off on her summer vacation.
Her plans are put off, however, as she is temporarily appointed
director of an oil-mining operation. The oil field has been pretty much
exhausted and the operation regularly fails to meet the plan. Her
friend, however, comes up with an idea to increase production with the
help of water pressure. In the end, Svetlana gives up her vacation and
decides to stay on to put the plan into action.
|
| Rekemchuk, Aleksandr E. |
Tender Age
(Nezhnii vozrast, 1979).
Set in prewar times, it is the story of two boys who are classmates
growing up. They go on to the same artillery school, then are sent to
the front together.
|
| Rimkevicius, Vytautas |
Students
(Studentai, 1957).
Lithuanian Thaw-era novel.
|
| Rogal, Nikolai |
At Sunrise
(xxx, 19xx).
xxx
|
| Rogal, Nikolai |
Meeting
(xxx, 19xx).
xxx
|
| Selvinsky, Ilya |
Pao-Pao
(Pao-Pao, 19xx).
Poem about an ape--representing the lower instincts and bourgeois
culture--which rises to the human plane when introduced to the
harmonious atmosphere of the Soviet factory.
|
| Semushkin, Tikhon Z. |
Alitet Flees to the Mountains
(Alitet Ukhodit v Gory, 1947 - 1948).
Two-volume novel about a far-northern Siberian horseman of the Chukchi tribe.
|
| Semyonov, Georgi |
Collection
(Kollektsiya, 1985).
A bombast with intellectual pretensions keeps his apartment filled with a large collection of stuffed birds.
|
| Semyonov, Georgi |
Cuckoo Called
(Kukovala Kukushka, 19xx).
A man can't figure out why he's come to the countryside to rest.
|
| Semyonov, Georgi |
Play of Fancy
(Igra Voobrazheniya, 1979).
A woman tells about her family, especially her artist husband, whose
works are based on strange, supernatural experiences he claims to have
had.1
|
| Semyonov, Georgi |
Prewar Bed
(xxx, 1975).
A father and his adult son go on a fishing trip. The son is somewhat
annoyed with his father's carefree attitude and penchant for abstract
thinking. Nevertheless, there is mutual love. The son remembers an
arduous trip with his father in winter to drag a fancy prewar bed 40
kilometers to their apartment in Moscow. "Man's memory is like a
rudder."
|
| Semyonov, Georgi |
Smell of Burnt Powder
(Zapakh Sgorevshovo Porokha, 1984).
Set in 1947, a boy buys a shotgun and goes to the Moscow zoo where he
shoots ravens to bring home as food. He is arrested, but released, and
the ravens delight his family.1
|
| Semyonov, Julian |
Seventeen Moments of Spring
(Semnadtsat Mgnovenii Vesny, 1968).
Soviet super-spy Stirlitz, working undercover in the Nazi SS, defeats an
attempt by the U.S. and Britain to conclude a separate peace with Nazi
Germany and open a joint front against the Soviet Union. The villain is
Allen Dulles, who wasn't keeping Roosevelt fully informed. Churchill,
however, is caught in a lie. (Click here for detailed summary.)
|
| Semyonov, Julian |
TASS Is Authorized To Announce
(xxx, 19xx).
KGB foils an attempt by the evil CIA to foster a right-wing coup in a fictional pro-Soviet African nation.
|
| Semyonov, Sergei A. |
Hunger
(Golod, 1922).
Workmen in revolutionary Petrograd are starving. Written in the form of a diary.
|
| Semyonov, Sergei A. |
Natalya Tarpova
(Natalya Tarpova, 1927).
A woman Party member deals with Party life, marriage, cultural work, ideology, and so on. Set in the period of NEP.
|
| Semyonov, Sergei A. |
Typhus
(Tif, 1922).
xxx
|
| Serafimovich, Aleksandr |
Iron Flood
(Zheleznii potok, 1924).
During the Civil War, a rag-tag army and thousands of tag-along refugees
start out squabbling, undisciplined, and disorganized as they attempt
to flee from some pursing Cossacks and join up with the main Red Army
units. They escape annihilation only by finally uniting and submitting
to the iron will of their newly elected commander, who promises death as
punishment for the slightest insubordination. (Remind you of anyone?)
It depicts mass action, mass mentality and the class essence of the
Civil War. (Click here for detailed summary.)
|
| Serafimovich, Aleksandr |
Two Deaths
(Dve smerti, 1926).
Street fighting rages in Moscow following the Revolution. A
Red-sympathizer gets a job working as a nurse for the Whites so that she
can spy on them. The Whites find out about it and shoot her. (Click here for detailed summary.)
|
| Shaginyan, Marietta S. |
Adventures of a Society Lady
(Prikliucheniya damy is obshchestva, 19xx).
Povest.
|
| Shaginyan, Marietta S. |
Agitation Train
(Agitvagon, 19xx).
Short story.
|
| Shaginyan, Marietta S. |
Change
(Peremena , 1922).
xxx
|
| Shaginyan, Marietta S. |
First All-Russian
(Pervaya Vserossiiskaya, 1965).
Historical novel on Lenin.
|
| Shaginyan, Marietta S. |
Hydrocentral
(Gidrotsentral', 1931).
Early novel on industrialization and creative socialist labor.4
|
| Shaginyan, Marietta S. |
K. and K.
(KIK, 1929).
Story of a missing Soviet commissar told from four different points of view by four different (fictional) authors.
|
| Shaginyan, Marietta S. |
Mess-Mend, or a Yankee in Petrograd
(Mess-Mend, ili yanki v Petrograde, 1923 - 1924).
Amusing spy thriller, comedy, and science fiction novel all rolled into
one. Western capitalists and members of the deposed nobility plot to
assassinate Lenin and the entire Soviet government. But they are
foiled by a secret American workers organization, the Soviet government,
and nature itself, which afflicts the deposed princes, capitalists,
etc., with a bizarre degenerative disease, literally turning them into
beasts.(Click here for detailed summary)
|
| Shaginyan, Marietta S. |
One's Own Fate
(Sovya sud'ba, 1923).
Anti-Freudian novel.
|
| Shaginyan, Marietta S. |
Resurrection From the Dead
(Voskresheniye iz mertvykh, 1964).
Historical novel on Czech composer Josef Myslivecek.4
|
| Shaginyan, Marietta S. |
Ulyanov Family
(Sem'ya Ulyanovykh, 1938 - 1957).
Historical novel on Lenin.
|
| Shatrov, Mikhail |
Revolutionary Etude (Blue Horses on Red Grass)
(xxx, 1979).
An experiment in publicistic drama written in commemoration of Lenin's
110th birthday. It is acted out on three levels. First, we see
contemporary youth strolling about, strumming guitars. Second, we
return to the exciting days of the Revolution. The third and main line
of the play is basically a day in the life of Lenin as he, ill, near the
end of his life, struggles to leave behind a clear direction for the
Revolution. The action takes place mainly in Lenin's office and in his
kitchen. To stress the universal humanity of Lenin, the actor playing
him is not made up to look like Lenin, but just an ordinary guy
|
| Shestalov, Yuvan |
Blue Wind of Kaslania
(xxx, 19xx).
xxx.
|
| Shestalov, Yuvan |
Eyes of the White Night
(xxx, 19xx).
xxx
|
| Shestalov, Yuvan |
Fire Upon Fire
(xxx, 19xx).
xxx.
|
| Shestalov, Yuvan |
Heathen Poem
(xxx, 19xx).
xxx.
|
| Shestalov, Yuvan |
Misne
(xxx, 19xx).
xxx
|
| Shukshin, Vasily |
Examination
(Ekzamen, 1962).
An ex-soldier does poorly on a literature examination about The Song of
Igor's Campaign. Despite this, he and the professor have an interesting
discussion of behavior in wartime and Russian feeling.
|
| Shukshin, Vasily |
How The Old Man Died
(Kak Pomiral Starik, 1967).
The last day in the life of a sick old peasant. He's worried about who will dig a hole for his grave in the frozen earth.
|
| Shukshin, Vasily |
I Have Come To Give You Freedom
(Ya Prishel Dat Vam Voliu, 1974 ).
Treatment of the peasant and Cossack revolt led by Stenka Razin in the 17th century.
|
| Shukshin, Vasily |
I Want To Live
(Okhota Zhit, 1966).
A convict escapes from a Siberian prison camp in winter. He comes upon
an old man in his remote taiga cabin. The convict takes advantage of
the old man's courtesy and wisdom, then repays the old man's kindness by
killing him. (Click here for complete text in English.)
|
| Shukshin, Vasily |
In Profile and Full-Face
(V profil' i anfac, 1967).
A young man who's had lots of jobs still can't figure out what makes him
happy or what the point of work is. Deciding it's best to live alone,
abandons his mother and leaves the village to find yet another job in a
distant town.
|
| Shukshin, Vasily |
Lyubavins, The
(Lyubavini, 1965).
A multi-generational tale of a Siberian family and the difficulties they
encounter during the establishment of Soviet power in their village.
|
| Shukshin, Vasily |
Men of One Soil
(xxx, 19xx).
An old village man, cutting grass for his horse, is visited by an
equally old man. They talk of childhood and of death. It turns out the
visitor was the old man's brother, who had disppeared after the war.
|
| Shukshin, Vasily |
Mille Pardons, Madame!
(Mille Pardons, Madame!, 1968).
A hunting guide always regales his hunting parties with the same story:
how in 1943 he was given the assignment of assassinating Hitler and
came within a hair's breathe of succeeding. The village soviet drags
him in from time to time and tells him to stop this distortion of
history, but he can't stop himself and continues telling the story.
|
| Shukshin, Vasily |
Oddball
(Chudik, 1967).
A country oddball sets out on a journey to visit his brother in the
Urals. Along the way, he loses 50 rubles, his air flight overshoots the
runway and lands in a potato field, he finds someone's false teeth, and
wins the eternal emnity of his sister-in-law.
|
| Shukshin, Vasily |
Point of View
(Tochka Zreniya, 1979, pub.).
A matchmaking described from four different points of view.
|
| Shukshin, Vasily |
Snowball Berry Red
(Kalina Krasnaya, 1973).
An ex-con moves to the countryside, hoping to start a new life with the
love of a good woman. He gets side-tracked with a bit of debauchery,
but eventually settles down as a tractor driver, well on his way to
becoming a shock-worker. Unfortunately, his old gang, unhappy about
being abandoned, catch up with him for a fatal confrontation. (Click here for detailed summary.)
|
| Shukshin, Vasily |
Stepan in Love
(xxx, 19xx).
A shy truck driver falls in love with a young woman who's come to
Siberia as part of the virgin lands scheme. He and his father set out
on a matchmaking expedition, only to discover that they have
competition.
|
| Shukshin, Vasily |
Storie
(Raskas, 1967).
A husband writes a semi-illiterate story (with many misspellings) about
how his wife ran off with another man. He takes the story to the editor
of a local paper who, after a good laugh, tries to persuade the man
that publishing the story isn't a good idea--or at least it should be
edited. Instead, the man snatches back his story and walks home,
crying.
|
| Shukshin, Vasily |
Thoughts
(Dumy, 1967).
The nightly accordion playing of a young man keeps an old man awake.
Unable to sleep, the old man recalls happy times and sad times from his
youth; he has thoughts of love, life and death. He complains about the
music, but when the young man gets married and stops playing, the old
man is sad, no longer able to conjure up thoughs from his past.
|
| Simonov, Konstantin M. |
Before the Attack
(Pered atakoi, 1944).
xxx
|
| Simonov, Konstantin M. |
Boy
(Malyshka, 1943).
xxx
|
| Simonov, Konstantin M. |
Comrades in Arms
(Tovarishchi po oriuzhiiu, 1952).
xxx.
|
| Simonov, Konstantin M. |
Days and Nights
(Dni i nochi, 1944).
A batallion commander and his troops defend three apartment buildings
(or rather the rubble of three buildings) for seventy days during the
Battle of Stalingrad. With their backs to the Volga and the Germans
only 60 meters away, they fight on in the rain, and snow, and icy cold;
they endure daily bombarments, tank attacks and hand-to-hand combat--all
to hold onto the three insigificant buildings which, to them, represent
all of Russia. They suffer incredible casualties, demonstrate
incredible bravery, and get lots of medals, including the Order of
Lenin. And during it all, the hero even finds time to fall in love, get
married, and have a bachelor party. One of the most famous of all the
Stalingrad novels. (Click here for detailed summary.)
|
| Simonov, Konstantin M. |
Fellow From Our Town, A
(Paren Iz Nashevo Goroda, 1941).
xxx
|
| Simonov, Konstantin M. |
Fourth, The
(Chetvyortii, 1961).
xxx.
|
| Simonov, Konstantin M. |
Immortal Name
(Bessmertnaya familia, 1944).
A regiment of sappers precedes the Soviet army on its westward march
across Europe. Everywhere they go, their commander, Artemev, posts
signs: "Bridge cleared. Artemev."; "Mines removed. Artemev"; etc.,
etc. The name Artemev becomes famous and reassuring among the entire
army. Unfortunately, Artemev is killed during a river crossing. In a
tribute to their fallen leader, the sappers keep signing his name to
signs they post as they continue on to Berlin.
|
| Simonov, Konstantin M. |
Instead of an Epilogue
(Vmesto Epiloga, 1945).
xxx
|
| Simonov, Konstantin M. |
Last Summer, The
(Poslednee Leto, 1971).
xxx.
|
| Simonov, Konstantin M. |
Living and the Dead, The
(Zhiviye i Mertviye, 1959-1971).
Set during the first year of the Great Patriotic War, this novel tells
the story of Ivan Sintsov, a Red Army Politruk (political instructor)
and army journalist who is vacationing when the Germans invade. Sintsov
sends his wife and child back to Moscow, and takes part in the many
reverses of 1941 before joining the defense of Moscow at the end of the
year. Very similar to "Days and Nights." (Summary by Jake Christie)
|
| Simonov, Konstantin M. |
Reluctant, The
(Neokhotnitsy, 1943).
xxx
|
| Simonov, Konstantin M. |
Russian People
(Russkiey Liudi, 1942).
A play about ordinary Russians both on the Soviet side of the front and
behind German lines during World War II. Unassuming bravery and
patriotism prevail. A young girl driver is sent on a dangerous
reconnaissance mission behind enemy lines.
|
| Simonov, Konstantin M. |
Russian Question
(Russkii vopros, 1947).
A play about an American reporter who disemminates disinformation about
the Soviet Union. He later repents, but suffers serious consequences as
a result.
|
| Simonov, Konstantin M. |
So Shall It Be
(Tak i Budet, 19xx).
xxx
|
| Simonov, Konstantin M. |
Soldiers Are Not Born
(Soldatami Ne Rozhdaiutsya, 1964).
xxx.
|
| Simonov, Konstantin M. |
Story of One Love, The
(Istoriya Odnoi Liubvi, 1940).
xxx
|
| Sobolev, Leonid |
General Overhaul
(xxx, 19xx).
xxx.
|
| Soloukhin, Vladimir |
Midsummer Day's Game, A
(xxx, 19xx).
A grandfather teaches his granddaughter a game from his youth. The girl
enjoys the game, then updates it to modern conditions and modern
technology. (Click here for complete text in English.)
|
| Stein, Aleksandr |
Ocean
(Okean, 19xx).
xxx.
|
| Stelmakh, Mikhailo |
Let The Blood Of Man Not Flow
(Krov' Liudskaya - Ne Voditsa, 19xx).
In Ukraine of 1920, peasants struggle against brutal kulaks.
|
| Stonov, Dmitri |
Bolsheviks
(Bolsheviki, 1924).
A local Party boss initiates a campaign to expropriate the property of
the town bourgeoise, who have grown fat and sleek at the expense of the
workers during the NEP. Unfortunately, his own wife and mother are
bourgeoise, scorn his politics, and press him to exempt them from
revolutionary justice.3
|
| Strugatsky, Arakdy & Boris |
Spontaneous Reflex
(xxx, 19xx).
A spontaneous reflex develops in a robot programmed with a thirst for
knowledge. Deciding to go on a walkabout, the robot crashes out of the
laboratory, causing havoc everywhere. Bullets bounce off, and he is
unaffected by exposure to massive doses of radiation. In the end, he is
brought to bay by a bevy of bulldozers.
|
| Surov, Anatoli |
The Unlucky Haberdasher
(Nezadachlivi Galantereyshchik, 1948).
A satirical play comparing U.S. President Truman to Hitler.
|
| Sverchkov, D. |
Case No. 3576
(Delo No. 3576, 1927).
Describes tensions that build up in a marriage from the pull of the new emancipated sex mores against the old.3
|
| Sytin, Aleksandr |
Herds of Allah
(xxx, 1926).
xxx
|
| Tamarin, V. |
Desert
(Pustynya, 1921).
xxx
|
| Tarasov-Rodionov, Aleksandr I. |
Chocolate
(Shokolad, 1922).
The chairman of a local Cheka is falsely accused of bribery, corruption,
and entnaglement with a counterrevolutionay ballerina. Although the
investigating committee establishes his innocence, he is ordered to be
shot anyway as an example to the masses. (Click here for detailed summary.)
|
| Taurin, Franz |
Angara
(xxx, 19xx).
Siberian novelist.
|
| Telgupov, Viktor |
Crystal Vase
(xxx, 1972).
Foreign capitalists offer to pay the young Soviet Republic five powerful
new locomotives for a crystal vase of exquisite craftsmanship. The
offer is tempting, but Lenin says the vase is so beautiful it can't be
sold at any price.
|
| Tendryakov, Vladimir |
Attack on Mirages
(Pokusheniye na mirazhi, 1980, pub. 1987).
A physicist, upset that his son is a materialistic lout, conducts
experiments to determine whether human behavior develops solely because
of the economic and social environment or whether an innate human moral
sense is important. To this end, he uses computer modeling to see how
some events from history would have developed in the absence of Jesus
Christ and Christian teachings.1
|
| Tendryakov, Vladimir |
Beyond The Current Day
(xxx, 1959).
A schoolteacher is concerned about the weaknesses in the Soviet educational system.
|
| Tendryakov, Vladimir |
Bread for a Dog
(Khleb dlya sobaki, 1988).
In 1933, a 10-year-old boy is torn between love for his father--a hero
of the Revolution and now a local Party worker--and the supposed kulaks
his father is now repressing. Unable to help the vicitims, the boy
comforts himself by feeding a stray dog.1
|
| Tendryakov, Vladimir |
Clean Waters of Kitezh
(Chistiye Vody Kitezha, 1980, pub. 1986).
Riled up by a seemingly official article, townspeople rise up to protest
a factory that is polluting its local river. However, when another
seemingly official article disapproves of their activities, the
townspeople just as quickly fade back into passivity
|
| Tendryakov, Vladimir |
Day That Ousted Life
(Den Vytesnivshii Zhizn, 1985).
Account of a new soldier's first day of military action.1
|
| Tendryakov, Vladimir |
Death
(xxx, 1968).
The despotic, imperial-like chairman of a wealthy kolkhoz is dying.
|
| Tendryakov, Vladimir |
Donna Anna
(Donna Anna, 1971, pub. 1988).
A young army officer kills his superior who has been defying--with good
reason--orders to advance. The young officer then leads the troops into
a suicidal attack.1
|
| Tendryakov, Vladimir |
Hunt
(Okhota, 1971, pub. 1988).
Memoir recalling the anti-cosmopolitan campaign of the late 1940s,
recounting sufferings and perfidy of many individuals, including
Aleksandr Fadeev.1
|
| Tendryakov, Vladimir |
Mayfly - A Shoft Life
(xxx, 196x).
Story of a girl who gains celebrity as a champion pig raiser by falsifying records.8
|
| Tendryakov, Vladimir |
On the Blessed Isle of Communism
(Na Blazhennom Ostrove Kommunizma, 1961, pub. 1988).
Caustic description of a lavish picnic-reception hosted by Khrushchev
for the literary intelligentisa. Literary bureaucrats portrayed as
sycophants, and Khrushchev as a drunken bully.1
|
| Tendryakov, Vladimir |
Pair of Bays
(Para Gnedykh, 1988).
Set in 1929, story describing the reactions of some peasants to the
coming collectivization as well as the conflicted attitudes of the local
Party man.1
|
| Tendryakov, Vladimir |
Potholes
(Ukhaby, 1956).
A truck carrying a load of passengers overturns, and one of the
passengers is gravely injured. The driver and all the
passengers--including the director of a machine tractor station--quickly
mobilize to aid the injured man. He needs to be taken for medical
attention immediately, but the director of the MTS refuses, on
bureaucratic grounds, to allow a tractor to be used for this purpose.
As a result, the name dies.8 |
| Tendryakov, Vladimir |
Rendezous with Nefertiti
(Svidanie c Nefertiti, 1964).
xxx.
|
| Tendryakov, Vladimir |
Short Circuit
(Korotkoe zamykanie, 196x).
A short circuit in a main power line disrupts numerous lives and forces
rapid, far-reaching administrative decisions. At stake is the problem
of lives interrelated by a centralized technology and bureaucracy as
well as the necessity for initiative where a scapegoat mentality has
taught workers to fear individual responsibililty.8
|
| Tendryakov, Vladimir |
Three, Seven, Ace
(Troika, semerka, tuz, 1961).
A professional gambler poisons the morale of a logging camp and
physically attacks the foreman, who is forced to kill him in
self-defense. The one man who knows what happened--an innocent who
nevertheless fears criminal implication--withholds the evidence that
might have saved the foreman from prosecution.8
|
| Tendryakov, Vladimir |
Tight Knot
(Tugoi uzel, 195x).
Inefficient management, authoritarianism, and corruption on a collective farm.8
|
| Tendryakov, Vladimir |
Trial
(Sud, 1960).
The truth about a hunting accident is withheld by a witness who fears
the personal complications his honest testimony would involve.8
|
| Tolstaya, Tanya |
Dear Shura
(Milaya Shura, 1985).
An eccentric old woman, a vestige of pre-Revolutionary Russia, lives solely on the memory of past husbands and lovers.1
|
| Tolstaya, Tanya |
Fakir, The
(Fakir, 1986).
An imaginative fraud poses as an affluent dilettant and art-collector
and beguiles a scruffy and pathetic coterie with his phony culture and
erudition.1
|
| Tolstaya, Tanya |
Hunting the Wooly Mammoth
(Okhota na mamonta, 1985).
A pretty but vulgar young woman undertakes a cold-blooded campaign to
induce a man to marry her. She sees herself as a sentimental heroine,
but she is truly more like a caveman hunting for meat.1
|
| Tolstaya, Tanya |
Limpopo
(Limpopo, 1990).
xxx
|
| Tolstaya, Tanya |
Night
(Noch', 1987).
Portrait of a childlike, retarded middle-aged man who lives with his
protective mother and exists largely and happily in a fairy-tale world
of fantasy.1
|
| Tolstaya, Tanya |
Peters
(Peters, 1986).
A loner librarian longs for love and friendship but is doomed to live as
an outsider because his emotional growth was stunted by a domineering
grandmother.1
|
| Tolstaya, Tanya |
Sonya
(Sonya, 1984).
An affectionate and generous but gullible , ugly spinster is exploited
by a callous circle of intellectuals who make cruel fun of her by
secretly inventing for her a phantom lover.1
|
| Tolstoy, Aleksei, N. |
Aelita
(Aelita, 1922).
A Soviet engineer-inventor and a Red Army soldier travel to Mars. The
inventor attempts to win the love of a Martian princess, and the soldier
works to export revolution to the Red planet.
|
| Tolstoy, Aleksei, N. |
Azure Cities
(Golubiye goroda, 1925).
Utopian socialism clashes with everyday reality, leading to murder. A
passionate tale of a tormenting, impatient, and feverish imagination. (Click here for detailed summary.)
|
| Tolstoy, Aleksei, N. |
Bread
(Khleb, 1938).
Describes the defense of Taritsyn by Reds in 1918-1919. Glorifies the
roles of Stalin and Voroshilov. Exposes the treachery of Trotsky.
|
| Tolstoy, Aleksei, N. |
Engineer Garin's Hyperboloid
(xxx, 1925).
Story of a power-hungry engineer who, with the help of a concentrated
heat ray, uncovers a vast deposit of gold in the earth's core.
Threatening the world with ecological disaster, he becomes dictator.
But he is eventually foiled by by a good Soviet Chekist.
|
| Tolstoy, Aleksei, N. |
Golden Key, or The Adventures of Buratino
(xxx, 1936).
A reworking of the Pinnochio fairy tale.
|
| Tolstoy, Aleksei, N. |
Peter I
(xxx, 1929-1945).
The life of the tsar Peter I from his childhood to the Battle of Narva
in 1701. A grand epic with a multitude of charcters and settings. Stalin Prize winner.
|
| Tolstoy, Aleksei, N. |
Road To Calvary
(Khozhdeniye Po Mukam, 1922 -1941).
A trilogy telling the story of Russian intellectuals who convert to Bolshevism during the Civil War. Stalin Prize winner.
|
| Tolstoy, Aleksei, N. |
Snow House
(Snezhnii dom, 19xx).
A village boy and a domovoi's daugher play pretend in a snow house all
winter long. In the spring, they get to out out and play for real. (s) (Click here for complete translated text.)
|
| Toomaspoeg, Aino |
Keepers of the Keys
(xxx, 1967).
Story. (Estonian)
|
| Totovents, V. |
Blue Flowers
(xxx, 1979).
Small Torik was a shy and a quiet child. Everything was all right, until
he became an adult and married a girl from a local brothel. The town
could not forgive him that. That turns the boy into a resolute and
courageous defendant of his happiness. (Armenian)
|
| Trenyov, K. |
Pugachev Era: A Folk Tragedey
(Pugachovshchina, Narodnaya tragediya, 1924).
Historical fiction on the Pugachev Rebellion during the time of Catherine the Great.3
|
| Trifonov, Yuri |
Another Life
(Drugaya Zhizn', 19xx).
A woman in her early forties is suddenly widowed, and the death
transforms her past. She doesn't know if her life has been good or not,
happy or unhappy. But now that the past has turned to pain, there is an
imperative to know the truth.
|
| Trifonov, Yuri |
Disappearance
(Ischeznovaniye, 1987 (pub)).
Novel centering on events in 1937 at the height of the Stalin terror.
Innocents arrested; the honest lose their sense of justice.
|
| Trifonov, Yuri |
Exchange, The
(Obmen, 1969).
Centers on the bickering, loveless relationship of a mother-fixated man and his mean-spirited, social-climbing, boorish wife.8
|
| Trifonov, Yuri |
House on the Embankment
(Dom na naberezhnoi, 1976).
Revolves around life in a famous Moscow apartment house which served as
the home of many of the Soviet elite, and where the author himself lived
as a boy. Spanning four decades, the novel spends much time describing
the life of the children in the building. Contrast is made between the
fantastic privilege of some familes and the fear other familes have of
that privilege. Later, in the post-war years, a graduate student is
faced with the choice of what to do when a trusted professor (who's also
his future father-in-law) comes under unjust ideological attack and
threat of purge. The student chooses lack of principle as his
principle, thereby abandoning his future bride without so much as a
good-bye and assuring a comfortable career for himself, including a
dacha and a trip to Paris in the 1970s. (Click here for detailed summary.)
|
| Trifonov, Yuri |
Impatience
(Neterpeniye, 1973).
The story of Andrei Zhelyabov, one of the leaders of the People's Will movement in the late 1800s.
|
| Trifonov, Yuri |
Long Good-bye
(Dolgoye Proshchaniye, 196x).
Story about the private lives and emotional problems within Moscow literary and theatrical circles.8
|
| Trifonov, Yuri |
Old Man
(Starik, 1978).
An old man receives a letter from a woman he knew in his youth, and in
reliving his memories from the Revolution and Civil War, he feels
perhaps he might have acted dishonorably in that long ago time. His
family--cold and materialistic--is unsmypathetic.
|
| Trifonov, Yuri |
Preliminary Conclusions
(Predvaritelniey Itogi, 196x).
A middle-aged man, upset with his dilettante wife and semi-delinquent
son, leaves them in Moscow to spend the spring in Turkmenia because of a
heart condition. He broods over his mediocre life, then returns and
reconciles with his family.8
|
| Trifonov, Yuri |
Slaking Thirst
(Utolenie zhazhdy, 1963).
Construction novel with an anti-Stalinist twist. Set on a hugh
irrigation project in Turkmenia in the late 1950s, it deals with
romantic enthusiasm and self-sacrifice in the effort to conquer nature
as well as the problem of individual initiative clashing with
pre-estblished plans. Also, a young journalist is obsessed with the
injustice done to his father, a victim of the purges in 1973.8
|
| Trifonov, Yuri |
Students
(Studenty, 1956).
Cautious, politically orthodox treatment of university life.8
|
| Trifonov, Yuri |
Time and Place
(Vremya i mesto, 1981).
A novelist continually rewrites his novel about a novelist, but he never reaches an end.
|
| Troyat, A. |
Snow in Black
(Sgavor Dzyune, 1978?).
A plane crashes in the mountains. Marselin, an adventurer, persuades his
brother to go to the mountains and rob the dead passengers. Having
appeared in the mountains, the heroes are faced with a difficult moral
choice. (Armenian)
|
| Truu, S. |
At Age Seventeen
(xxx, 1967).
Story. (Estonian)
|
| Tvardovsky, Aleksandr T. |
Land of Muravia
(Strana Muraviya, 1936).
A peasant refuses to join a collective and goes wandering to find
Muravia, a land of no collectives, where he can really be his own boss.
He has adventures on the way, carouses with kulaks, has his horse
stolen by a priest, sees poverty and misery where peasants farm alone,
and visits a prosperous collective. In the end, he sees the wisdom of
collectivization. Stalin Prize winner.
|
| Tvardovsky, Aleksandr T. |
Vasily Tyorkin
(Vasily Tyrokin, 1941-1945).
A verse tale about a simple but resourceful Russian soldier. Full of
wit, it chronicals Tyorkin's adventures, serious and light, at the front
and follows him almost to the gates of Berlin. Full of memorable lines
and incidents, it was immediately popular among soldiers and became a
type of folk classic.
|
| Tynyanov, Yuri N. |
The Death of The Vizier Mukhtara
(Smert Vazira-Mukhtara, 1928).
Historical novel about Russian playwrite A.S. Griboedov, who was killed
in Tehran by an angry mob while on a diplomatic mission.
|
| Vampilov, Aleksandr |
Elder Son
(xxx, 197x).
A comedy about the Soviet generation gap in the 1970s. Full of laughs
and humorous situations, it offers a view of a wide variety of Soviet
teenagers, positive and negative.
|
| Veresaev, Vikenty V. |
Sisters
(Syostry, 1933).
Two sisters, both members of the Komsomol, take different paths on the
road to Communism. One, Ninka, refuses to accept preordained ideas and
doctrines. Instead, she feels the need to be a "great charlatan", to
try out new ideas for herself, to find the truth by making mistakes.
The other sister, Lelka, immerses herself in the life of a factory,
trying to shed her intellectuallism and become truly proletarian.
Later, when Party workers are sent to the countryside to push
collectivization, Lelka and her group are ruthless in rooting out
kulaks and forcing peasants into the kolkhozes. Ninka defies Party
orders and works instead for "voluntary" collectivization. She is about
to be purged but is saved when Stalin publishes his "Giddy From
Success" article denouncing the excesses of forced collectivization. (Click here for detailed summary.)
|
| Vesely, Artem |
In the Village at Shrove-tide
(V derevne na maslenitse, 1921).
xxx
|
| Vesely, Artem |
Russia Washed in Blood
(Rossiya Kroviu Omytaya, 19xx).
At the beginning of the Revolution, soldiers desert en masse from the front.
|
| Vesely, Artem |
Stroll About, Volga!
(Gulyai, Volga!, 1932).
Historical novel concerning the conquest of Siberia by the Cossack Ermak.
|
| Vesely, Artem |
We
(My, 1921).
Whites march into a village and, with the connivance and approval of the
kulaks and priests, execute all the Red sympathizers and plan
ravishment of women. Whites also attack a nearby town, but the workers
organize and are victorious.
|
| Vigdorova, Frida A. |
Daring Twelve, The
(Dvenadtsat Otvazhnikh, 1948).
Story of young Komsomol members struggling against Nazi oppression.
|
| Virta, Nikolai E. |
Lawfulness
(Zakonomernost, 1937).
An ambitious youth in the Tambov region hatches sabotage plots,
corrupting some otherwise innocent citizens into joining in his schemes.
The innocents eventually find their way back to the true path. The
ring-leader escapes to Moscow but is tracked down by the vigilant
political security operatives. A continuation of "Solitude".
|
| Virta, Nikolai E. |
Solitude
(Odinochestvo, 1936).
A well-to-do peasant becomes involved in the Antonov peasant uprising in
Tambov in 1920. The uprising is put down by Tukhachevsky. Stalin
Prize winner.
|
| Voinovich, Vladimir |
Distance of Half-a-Kilometer
(Rasstoyanie v polkilometra, 1963).
Bleak accoiunt of the death and funeral of a village no-good, in which
the local peasants are portrayed as ignorant, narrow, and shiftless.8
|
| Voinovich, Vladimir |
I Want To Be Honest
(Khochu byt chestnym, 1963).
A construction supervisor is dispirited by the knowledge that the work
going on around him is shoddy, graft-ridded, and ill-conceived. The
apartment house he is working on is unfinished and unsafe, but he
superiors pressure him to certify it as complete so as to win honors for
his organization. He refuses to comply, so is hounded off the project.
Although bitter in its theme, the narrative tone is lightly satirical.8
|
| Voinovich, Vladimir |
In The Sleeper
(xxx, 1965).
On an overnight train trip from Moscow to Leningrad, an aggressively
prim young woman, terrified for her virture, insists that the harmless
and bewildered young man with whom she is sharing a compartment keep the
door open and the light on all night.8
|
| Voinovich, Vladimir |
The Life and Amazing Adventures of the Soldier Ivan Chonkin
(xxx, 1970).
At the beginning of World War II, a not-too-bright Red Army soldier,
abandoned and forgotten by his superiors, bravely defends a Soviet
airplane, gets a girlfriend, arrests the entire local apparatus of the
secret police, and beats back the attack of an entire regiment...all by
accident. (Click here for detailed summary.)
|
| Voinovich, Vladimir |
Two Comrades
(Dva tovarishcha, 1967).
Story of two friends before, during, and after their induction into the
army. While Valeri is bright, sensitive and idealistic, albeit somewhat
indecisive, Tolik develops into a selfish opportunist. In the central
episode, Tolik beats up Valeri because some hoodlums forced him to.8
|
| Voinovich, Vladimir |
We Live Here
(My zdes' zhivem, 1961).
On a remote collective farm in the virgin lands, young people struggle
to cope with their culturally barren life and poor living conditions.
Told in a fast-paced, humorous manner, with an abundance of comic
details and incidents.8
|
| Volodin, Aleksandr |
Factory Girl
(Fabrichnaya devochka, 1956).
The head of a factory Komsomol organization is told to write an article
entitled "She Fills Us With Shame." So he arbitrarily picks on a
straight-talking female Komsomoler and so attacks her in the press. She
fights back. 9
|
| Yampolsky, Boris |
Moscow Street
(Moskovskaya ulitsa, 1960, pub. 1988).
An innocent man is stalked by plain-clothes police detectives for some
unspecified crime. Nasty, hostile, crowded communal apartment is
contrasted to the ominously empty streets of Moscow.1
|
| Yarovoi, Pavel |
Searchlight
(xxx, 1925).
Short story.
|
| Yashin, Aleksandr Ya. |
Alyona Fomina
(Alyona Fomina, 1949).
Poem portraying post-War village life in idealized terms. Stalin Prize winner.
|
| Yashin, Aleksandr Ya. |
Levers
(Rychagi, 1956).
The blockbuster story that shocked a nation, lambasting Party officials
as duplicitous, bureaucratic, and pedantic, treating people as mere
levers to be manipulated, not as human beings. (Click here for complete text in English).
|
| Yashin, Aleksandr Ya. |
Orphan
(Sirota, 1962).
The story of two orphan brothers. One grows up to be a glib and
smooth-talking opportunist, who goes to live in the city as a worthless
parasite. The other brother stays in the village, working hard and
diligently, even though his stubborn integrity earns him a reputation
among officials as a troublemaker.8
|
| Yashin, Aleksandr Ya. |
Vologda Wedding
(Vologodskaya svad'ba, 1965).
Set in a remote northern village during a wedding, this story shows the
death of peasant culture and the misery and brutality in the
countryside. The wives compete with one another in boasting of their
husbands' swinishness and police records. Women and girls have forgotten
or never learned the traditional songs, and the bride and groom travel
in trucks, not troikas.8
|
| Zadornov, Nikolai P. |
Distant Land
(Dalekii krai, 1948).
Novel about life in the mid-19th century among the peoples of the
Pri-Amur region and the oppression they suffer at the hands of
Manchurian and Chinese traders. The native peoples' hopes for a
brighter future rest on the return of Russians to the Amur. USSR State Prize winner, 1952.
|
| Zadornov, Nikolai P. |
Father Amur
(xxx, 19xx).
xxx.
|
| Zagrebelny, Pavlo A. |
From the Point of View of Eternity
(Z Poglyadu Vichnosti, 1971).
Ukrainian novel set in a pipe factory in the era of the
Scientific-Technical Revolution (1970s). Follows the transition of a
young worker from a slothful Oblomov-imitator into an energetic Lenin
Prize winner. Given the task of creating special pipes for a secret
project, the hero and his team work unstintingly, battle a
stagnation-bent careerist, and defy official orders to develop a
fundamentally new pipe-rolling technique. The breakthrough comes
following a literal and figurative marriage of brains and brawn. Well
written with a good sense of humor. (Ukrainian) (Click here for detailed summary.)
|
| Zalygin, Sergei P. |
After the Storm
(Posle buri, 1985).
Panoramic novel spanning 1921 - 1928, the period of the New Economic
Policy. Former Whites are put to work in the Soviet system, and they
learn to adapt to the new reality.
|
| Zalygin, Sergei P. |
Commission
(Komissiya, 1975).
Sequel to "Salt Valley".
|
| Zalygin, Sergei P. |
On The Irtysh
(Na Irtyshe, 1964).
Cruelty and injustice are shown as part of the forced collectivization of a Siberian village in 1931.
|
| Zalygin, Sergei P. |
Salt Valley
(Solyonnaya pad, 1968).
Set in the Civil War, novel that explores the issue of revolutionary
means mainly through the character of a punitive, dogmatic, and
dictatorial commissar.1
|
| Zalygin, Sergei P. |
South American Variant
(Iuzhno-Amerikansky Variant, 1973).
A successful woman scientist, trapped in an unsatisfying marriage, has an extra-marital affair.
|
| Zamyatin, Evgeny I. |
Cave
(Peshchera, 1920).
Life in an unheated room in Petrograd is compared to living in a
prehistoric cave. A story of the degredation and poverty of people,
clinging to a single idea -- to get food and fuel. Neorealism at its
best.
|
| Zamyatin, Evgeny I. |
Fisher of Men
(Lovets cheloveka, 1918).
A hypocritical English bourgeois makes money by blackmailing couples who make love in London parks.
|
| Zamyatin, Evgeny I. |
Islanders
(Ostrovityane, 1917).
A satire of the monotonous, unimaginitive, repressed life of
"respectable" English folk. One young man dares to break the mold by
falling in love with a showgirl and killing her lover. When this rebel
is hanged for his crime, life can return to normal.
|
| Zamyatin, Evgeny I. |
Lion, The
(Lev, 193x).
To win the love of Leningrad's first female police officer, a fireman
offers to play the part of a murdered lion in a ballet production. (Click here for complete translated text.)
|
| Zamyatin, Evgeny I. |
We
(My, 1920).
An anti-Utopian novel. In the mathematically perfect One State, a loyal
scientist, D-503, is infected with an irrational number (love). This
infection leads to D-503 getting involved with a band of renegades
intent on sabotaging the Integral, a spaceship with the mission of
forcing happiness on the rest of the universe. The rebels cause some
chaos, but are defeated. All citizens are rewarded with an
imagination-removing operation, which brings things back to normal.
Contains one of the earliest references to electric toothbrushes in all
of world literature.
|
| Zorin, Leonid |
Encyclopeiaists
(Entsiklopedisti, 1966).
Play.
|
| Zorin, Leonid |
Foreign Passport
(Chuzhoi passport, 1957).
Play raising the question of honesty and justice as an integral quality
of a real communist, and the responsibility of the leaders to the
people.
|
| Zorin, Leonid |
Good Guys
(Dobryaki, 1958).
Comedy exposing unprincipled behavior in the scientific community.
|
| Zorin, Leonid |
Guests
(Gosti, 1954).
Play centering on the conflict of an honest Old Bolshevik and his son,
who, having known the smell of power since the day he was born, has
turned into a rank-conscious aristocrat, greedy and conceited, remote
from the people.9
|
| Zorin, Leonid |
Main Topic
(Glavnaya tema, 1981).
Povest.
|
| Zorin, Leonid |
Moscow Time
(Po moskovskomu vremeni, 1961).
Play.
|
| Zorin, Leonid |
Old Manuscript
(Staraya rukopis', 1980).
Novel.
|
| Zorin, Leonid |
Pokrovsky Gates
(Pokrovskie vorota, 1974).
Play.
|
| Zorin, Leonid |
Roman Comedy
(Rimskaya komediya, 1964).
Play addressing, among other things, the relationship of the artist to the state.
|
| Zorin, Leonid |
Seraphim, or Three Chapters from the Life of Kramolnikov
(Serafim, ili tri glavy iz zhizni Kramol'nikova, 1967).
Play.
|
| Zoshchenko, Mikhail |
Insulted Man
(Cheloveka obideli, 1926).
On a crowded train, a man is insulting and being bossy to an old woman,
who is overburdened with packages and bags. Thinking that the woman is a
servant, the train passengers berate the man for violating labor laws.
But the woman is really the man's mother. So the passengers, loathe to
intervene in family matters, apologize.
|
| Zoshchenko, Mikhail |
Let Losers Cry
(xxx, 19xx).
xxx
|
| Zoshchenko, Mikhail |
Pushkin
(Pushkin, 1927).
A demobilized soldier has a hard time finding a place to live. When he
finally does find one, he is kicked out because it turns out that
Pushkin once slept there and they can't have messy ordinary people
tarnishing the great poet's reputation by living there.
|
| Zoshchenko, Mikhail |
Quality of Production
(Kachestvo produktsii, 1928).
A man mistakes a German anti-bedbug powder for a face powder, and he
eagerly applies it to himself every morning after shaving. He is quite
please with the invigorating aroma and with the fact that while his wife
gets bitten by bedbugs, he doesn't.
|
| Zoshchenko, Mikhail |
Story of One Reforging
(Istoriya odnoi perekovki, 1934).
The moral regeneration of a common criminal who--as part of a
forced-labor crew--works on construction of the White Sea-Baltic Canal.
|
| Zoshchenko, Mikhail |
Talisman - the Sixth Tale of Belkin
(Talisman - Shestaya Povest Belkina, 1937).
During the Napoleonic Wars, a rakish army officer seduces his
commander's wife, gets demoted to common soldier, and is mistakenly
given a medal he doesn't deserve. To redeem himself, he seeks out and
finds a chance to do something dangerous and heroic. Written in the
style of and as a tribute to Pushkin's "Tales of Belkin".
|
| Zoshchenko, Mikhail |
You Will Never Forget.
(xxx, 19xx).
A documentary narrative about the Leningrad partisans of World War II,
compiled from stories told by the partisans themselves. Each one of
them tells of the fate of one man, one family; but together they give a
broad picture of the partisan movement.
|

| Mini-Summaries | Encyclopedia of Soviet Writers | Soviet Literature Links | the "Thin Journal" |
|
Subscribe to the SovLit.com Mailing List. Send e-mail with the word SUBSCRIBE in subject field to: sovlit-subscribe@egroups.com |